
Approaching his eighties, Max Kohn shows no sign of slowing down. He throws himself into a vibrant love life—both real and imagined—with youthful vigor, endangering his relationship with Reisel, the woman he loves yet neglects. The film explores real and imagined longings, the endless dream of love, and the power of fiction.
Does Love Comes Lately have end credit scenes?
No!
Love Comes Lately does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Love Comes Lately (2007) via JustWatch.
Explore the complete cast of Love Comes Lately, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Leander Suleiman
Chambermaid

Rhea Perlman
Reisel

Elizabeth Peña
Esperanza

Barbara Hershey
Rosalie

Caroline Aaron
Rachel Meyerowitz

Tovah Feldshuh
Ethel

Olivia Thirlby
Sylvia Brokeles

Bunny Levine
Max's Neighbor

Lee Wilkof
Professor Meyer

Otto Tausig
Max Kohn

Brian Doyle-Murray
Boss

Brad Lee Wind
Windows Repair Man

Gurdeep Singh
Hotel Porter

Frank Hernandez
Lecture Attendee

Gina Hernandez
Lecture Attendee

Jason Hedges
Miami Hotel Waiter

Christina Szápáry
Boss' Wife

John C. Vennema
Dr. Grosskopf

Michael Edward Brooks
Window Repairman's Helper

Elizabeth Marley
Caterer

Wayne Scott Miller
Conductor / Doctor

Gus Perez
Hotel Guest
Discover where to watch Love Comes Lately online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
Read the complete plot summary of Love Comes Lately, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Max Kohn, an elderly Jewish writer and Austrian émigré, lives in New York City with an overactive mind that keeps him in a state of perpetual confusion. He is a successful author of short stories who clings to the old-fashioned craft of typing on a typewriter, convinced that this is the only proper way to write. Surrounded by attention from several women who try to seduce him, he spends much of his time with a fellow worrier, Reisel, whose companionship sharpens his nerves and sharpens his wit in equal measure.
On a speaking trip to Hanover, Max begins editing his latest story—a wild Miami-set tale about a retiree who tumbles into a string of trouble. It doesn’t take long before the line between fiction and life starts to blur, and Max finds that his own written words seem to reach out and take form in the world around him. The sensation is thrilling and unsettling, drawing him deeper into a nightscape where imagination and reality mingle until they are almost the same thing, and the consequences feel surprisingly immediate.
As Max grapples with this creeping fusion of author and subject, he meets with Rosalie, a burned-out former student with whom he shares a charged, mutual attraction. The encounter deepens the pull of his vivid fiction and nudges him toward decisions that feel both dangerous and irresistible. Soon after, while en route to Springfield for another unwanted speaking engagement, he discovers that he has misplaced the speech he prepared, a small setback that mirrors the larger disarray swallowing his life.
With a string of small, almost luminous adventures guiding him, Max decides to write a new story drawn directly from the arc of his recent experiences. He crafts a protagonist named Harry—the thinly veiled stand-in for himself—using his real-world quandaries as raw material. The narrative becomes a vehicle for reframing his confusion, his fears, and his desires, turning his everyday reality into something artistic and finally hopeful. Through this process, Max navigates a landscape of romance, ambiguity, and an unsolved murder, all while wrestling with the powerful pull of his own imagination and the fragile boundary between writer and character.

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