
A contemporary Russian re‑imagining of Fellini’s La Dolce Vita, the film follows several tumultuous days in the life of a celebrated Moscow journalist. He navigates a whirlwind of sex, betrayal, love, friendships and even murders, exposing the decadence and moral ambiguity of his world.
Does In Motion have end credit scenes?
No!
In Motion does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of In Motion, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Konstantin Murzenko

Oksana Akinshina
Ania

Konstantin Khabenskiy
Sasha Guriev

Mikhail Efremov
Vovan

Fyodor Bondarchuk
Gazizov

Vyacheslav Razbegaev

Gosha Kutsenko

Leonid Gromov

Oksana Fandera
Vera

Pavel Melenchuk

Aleksey Makarov

Marina Golub

Filipp Yankovsky

Nikolay Chindyaykin
Mityagin

Olesya Potashinskaya

Vladimir Sterzhakov

Ignat Akrachkov

Pavel Belozerov

Olga Sidorova

Aleksandr Tyutryumov

Yusup Bakhshiev

Elena Perova
Liza

Anastasiya Kalmanovich

Aleksandra Skachkova

Andrey Podoshian

Gennadiy Ostrovskiy

Sergey Gusinskiy

Igor Yankovsky

Kirill Nikitenko

Alexei Karnaukhov

Yuri Vasiliev
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Read the complete plot summary of In Motion, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Sasha Guryev is a successful independent journalist whose career has revolved around bold assignments and the endless lure of a big, money-making scoop. He chases gripping stories and sensational details, chasing the next bombshell even as a string of failures and trouble shadow his steps. The thrill of the hunt remains powerful, and he keeps pushing forward, hoping the next discovery will vindicate his restless ambition.
In his personal life, he is married, but the spark has faded. He is not attracted to his wife, Vera; the passion is gone and only memories linger. He moves through days filled with meetings with various women and short-term relationships, while Vera clings to the hope that their life could still change for the better.
Then an old friend returns from abroad to assume a high-profile political post, and Guryev suddenly realizes that he has dug up compromising evidence about this friend. The discovery reframes everything: his friend is now in danger, and the journalist understands that the only viable escape is to run for as long as possible, to buy time and, perhaps, to save himself.
The narrative unfolds with a taut, tense atmosphere that examines the costs of ambition and the moral ambiguity that accompanies a life lived on the edge of revelation. It explores how the pursuit of truth can collide with personal risk, loyalty, and the unsettling possibility that one’s own actions could come back to threaten the very people one set out to protect. As the pressure mounts, the protagonist negotiates a delicate balance between self-preservation and conscience, with every moment heightening the suspense and the sense that nothing is ever truly safe.

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