I Sell the Dead 2009

In 19th century darkness, two cunning grave robbers face justice's cold grip. As execution looms, Arthur Blake recounts his twisted tale of body-snatching to Father Francis Duffy. Whisky-fueled confessions unfold: gruesome discoveries, gang wars with the ruthless House of Murphy, and a descent into mayhem that threatens to consume them all.

In 19th century darkness, two cunning grave robbers face justice's cold grip. As execution looms, Arthur Blake recounts his twisted tale of body-snatching to Father Francis Duffy. Whisky-fueled confessions unfold: gruesome discoveries, gang wars with the ruthless House of Murphy, and a descent into mayhem that threatens to consume them all.

Does I Sell the Dead have end credit scenes?

No!

I Sell the Dead does not have end credit scenes. You can leave when the credits roll.

Meet the Full Cast and Actors of I Sell the Dead

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Ratings and Reviews for I Sell the Dead

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Metacritic

62

Metascore

6.3

User Score

Rotten Tomatoes
review

71%

TOMATOMETER

review

47%

User Score

TMDB

60

%

User Score

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I Sell the Dead Quiz: Test your knowledge of the darkly humorous and peculiar world in 'I Sell the Dead'.

Who is the main character awaiting execution?

Full Plot Summary and Ending Explained for I Sell the Dead

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Read the complete plot summary of I Sell the Dead, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


As Arthur Blake (Dominic Monaghan) languishes in the grim confines of death row, facing the dire repercussions of a crime he resolutely denies committing, he is approached by Father Duffy (Ron Perlman). Instead of offering absolution, Father Duffy proposes to draw out a cautionary tale from Arthur’s troubled past. Thus begins a saga imbued with both tragedy and the bizarre, as Arthur recounts the misadventures that led him to his current predicament.

Arthur’s life had once intersected with that of Willie Grimes (Larry Fessenden), his former accomplice in a most unusual profession: grave robbing. After the untimely death of his father, Arthur had no choice but to seek work to support his family. Under Willie’s mentorship, he honed his skills in retrieving corpses from both sacred grounds and risky venues, including funeral wakes. Although their morally questionable enterprise appeared lucrative on the surface, it was consistently undermined by the conniving Doctor Quint (Angus Scrimm), who exploited their skills while threatening to expose their illegal activities to the authorities.

Their fortunes began to shift dramatically when they unearthed yet another corpse for Doctor Quint’s grisly needs. While digging at a crossroads, they were astonished to find an unsettling array of garlic and stakes encircling the dead woman. Skeptical of the superstitious barriers, Arthur dismissed Willie’s concerns and proceeded to remove the protective items. Mere moments later, as they finished loading their cart, the reanimated corpse erupted from its earthly prison, its once-lifeless eyes now burning with unearthly vigor. In a frantic struggle, Willie repelled the undead woman temporarily with a shovel, but when she lunged at him again, he seized the moment to thrust the stake back into her heart, instantly silencing her for good. Hastily, they delivered the gruesome find to Doctor Quint but fled just as the awakened corpse claimed the doctor’s life.

This morbid beginning sets Arthur on a treacherous path where questions of life, death, and the supernatural collide. As he shares his tale, Father Duffy presses him to elaborate on any further encounters with the infamous House of Murphy. Initially reluctant to revisit such unsettling memories, Arthur eventually obliges, diving into a series of unfortunate events linked to this nefarious group.

In a local tavern, while enjoying drinks with Willie and their new apprentice-turned-girlfriend Fanny, Arthur is drawn into an intriguing scheme proposed by pub owner Ronnie. It was rumored that the nearby mortuary had been receiving shipments of the reanimated dead, with some crates lost at sea on a nearby island. However, a complication arises: the House of Murphy has already been contracted to retrieve the undead. Despite their initial reservations, driven partly by Fanny’s enthusiasm, Arthur and Willie agree to investigate.

Their expedition leads them to the island, where they discover the crates fiercely guarded by Bulger, a brutal enforcer for the House of Murphy. In a shocking twist, Fanny unexpectedly slits Bulger’s throat, leaving Arthur and Willie in shock. The trio captures one of the undead, but not before Willie suffers a bite in the fray. As they attempt to secure the second crate, Fanny meets a tragic end at the hands of Cornelius, who then ensnares Arthur and Willie within a cage alongside the captured undead.

In a desperate turn of events, the undead breaks free, launching a chaotic attack on Valentine, Murphy’s grotesque female assassin. As Cornelius attempts to aid Valentine, he unwittingly becomes a victim of the second reanimated corpse. Arthur and Willie seize their chance to escape, but not before their partnership disintegrates in the wake of their disastrous job, marking the end of their friendship. A week later, they find themselves in custody for their misdeeds.

As Arthur’s bizarre saga draws to a close, Father Duffy presents a puzzling question: who truly masterminded Cornelius’s demise? Arthur insists that Willie abandoned him to his fate, only for Father Duffy to reveal his true identity as Samuel Murphy, throwing everything into disarray. In a desperate attempt to silence Arthur, Father Duffy lunges at him with a mace, only to be intercepted by an unexpected savior. To his horror, Arthur discovers that it is Willie’s decapitated body, bizarrely intact, with its head held high like a grisly trophy. In a twisted turn of fortune, this undead Willie claims that the bite he sustained on the island has bestowed upon him a peculiar form of immortality, which he eagerly proclaims is a fortunate turn of events. As they tearfully depart their prison confines, Willie light-heartedly suggests that Arthur should consider a similar fate—a notion Arthur immediately rebuffs. Unfazed, the undead Willie jovially chases after his friend, revealing an insatiable hunger awakened within him. Meanwhile, unbeknownst to both, the waters around Cornelius’s final resting place begin to roil, signaling that he too may rise again.

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Watch Trailers, Clips & Behind-the-Scenes for I Sell the Dead

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I SELL THE DEAD OFFICIAL TRAILER

Cars Featured in I Sell the Dead

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Explore all cars featured in I Sell the Dead, including their makes, models, scenes they appear in, and their significance to the plot. A must-read for car enthusiasts and movie buffs alike.


Cadillac

1989

Coupe DeVille Funeral Coach

Chevrolet

1982

S-10

Chrysler

2001

Town & Country

Honda

1994

Accord

Hummer

1992

Hummer

2003

H2

International

1994

3000-Series

Jeep

1997

Wrangler

Lincoln

2003

Town Car Stretched Limousine

Pontiac

1970

Firebird

Movie Themes and Keywords

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cemeteryalien corpsezombieislandhorror comicgraveyarddeathbartender19th centuryvampireundeadliving deadalienirishgrave robbinggothicsurprise endingcarrying one's headcostume horrordark humorsealed letterwax sealman tied uphandcuffed mandark comedyb horrorgrave robbergravecorpseguillotineshacklescrateimpersonating a prieststabbed in the headthrowing knifestory within a storyoverhead camera shotplaying violingarlic necklacebreaking open a coffinobject dropped overboardtrail of body partshead in a basketguillotinedringing a bellcarrying a dead bodycrying boylocked in a cagefemale psychopathwoman spitting

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