I Know Where I’m Going! 1945

Joan Webster, Wendy Hiller, is a 25-year-old Englishwoman with an ambitious, independent streak who believes she knows where she’s headed in life. She leaves her Manchester home to travel to the isle of Mull, hoping to marry Sir Robert Bellinger, a wealthy industrialist who is nearly her father’s age. As the journey begins, the story follows her determined, modern outlook and the lure of a grand plan that could redefine her future.

Upon reaching the island, bad weather strands her before the short boat ride to Kiloran. On Mull, she finds herself among a community whose values feel foreign to her own. There she meets Torquil MacNeil, Roger Livesey, a Royal Navy officer on eight days of shore leave, trying to get home. He is joined by a colorful cast of locals, including Ruairidh Mhór, Finlay Currie, the boatman who shows initial kindness and practical know-how, and the eccentric Col. Barnstaple, C.W.R. Knight, a falconer with a sly sense of humor. Also under their roof is Catriona Potts, Pamela Brown, a proud, resilient member of the island gentry who has known Torquil since childhood and now offers Joan hospitality for the night.

The next day, as Joan and Torquil attempt to reach a bus to Tobermory and use radio contact with Bellinger, they stumble upon the ruins of Moy Castle. Joan longs to peek inside, but Torquil refuses, revealing a crucial truth: he is the laird of Moy and the true owner of the island; Bellinger is merely renting it for the war. The locals on the bus gossip about Bellinger, unaware of his real identity, planting seeds of tension between Joan’s carefully laid plans and the unexpected pull of Mull.

In Tobermory, Torquil secures two hotel rooms. For decorum’s sake, Joan asks him to sit at a separate table in the restaurant, highlighting the clash between her calculated ambitions and the social mores she’s stepping into. As a fierce gale intensifies, their conversations deepen, and Joan finds herself torn between the life she’s planned and the growing attraction she feels for him. The pair attend a ceilidh celebrating a couple’s diamond wedding anniversary, where three bagpipers are hired to play for the event. The moment is charged with music and meaning, and Torquil translates the song Nut-Brown Maiden to emphasize the line, “You’re the maid for me.” The moment is electric, and Joan, despite her hesitations, joins in the dance and shines with a new, unspoken confidence.

Desperate to salvage her meticulous plans, Joan convinces Ruairidh Mhór’s young mate, Kenny, to attempt the dangerous crossing to Mull for £20. Unable to dissuade her, Torquil ends up joining the expedition after Catriona informs him that Joan is running away from him. The voyage becomes a test of nerve as the boat is caught in the deadly Corryvreckan whirlpool. Torquil manages to restart a flooded engine just in time, and the trio returns to Mull battered but alive.

When the weather clears, a final, charged moment arrives. Torquil asks Joan if there could ever be a time when the pipers might play “Nut-Brown Maiden” again, and Joan, in turn, asks for a parting kiss. They share a passionate moment before she leaves, and Torquil then returns to Moy Castle, discovering the inscription of a curse placed centuries earlier on his ancestor. The tale tells of a laird who, after capturing his unfaithful wife and her lover, had them bound and drowned in a water-filled well, with a curse that would chain the MacNeil of Moy to a woman forever. From the battlements, Joan appears, led by three pipers playing the same tune, moving toward the castle. The moment is cinematic and fateful: the lovers meet in Moy Castle, embrace, and seem to defy the curse together.

Throughout the story, the island’s inhabitants and atmosphere shape the course of events. The cast contributes to a mood that blends stubborn individualism with enduring superstition, a tension that anchors Joan’s transformation from an unwavering, independent planner into someone willing to risk everything for a love that cannot be entirely predicted by any map. The interplay between Joan Wendy Hiller and Torquil Roger Livesey becomes the emotional through-line, while the island community—Ruairidh Mhór Finlay Currie, Catriona Pamela Brown, and the others—provides texture, humor, and a reminder of the social fabric that can both support and constrain a person’s choices.

“Nut-Brown Maiden” — You’re the maid for me.

As the movie closes, the ritual of the pipers, the sealed fate of Moy Castle, and the undeniable spark between Joan and Torquil leave open a sense of inevitability and risk. The story invites viewers to weigh ambition against tradition, freedom against fate, and the possibility that love can outlive even the most persistent curses.

Cast notes (selected linked). The narrative unfolds through performances by the principal cast, with appearances by Norman Shelley as Sir Robert Bellinger and Valentine Dyall as Mr. Robinson, among others, whose presence reinforces the social worlds Joan moves through. The ensemble of supporting roles—Catherine Lacey as Mrs. Robinson, Jean Cadell as the Postmistress, Graham Moffatt as the RAF sergeant, and Ian Sadler as Iain—help bring Mull to life with texture, humor, and humanity. The blend of strong, independent characters and a community bound by memory and legend creates a cinematic tapestry that remains faithful to the spirit of the tale while inviting audiences to imagine a future where choices can redefine a life.