
Death Signs the Register A hunt for a spy, in a hotel in the South of France just before World War Two.
Does Hotel Reserve have end credit scenes?
No!
Hotel Reserve does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Hotel Reserve, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Herbert Lom
Andre Roux

James Mason
Peter Vadassy

Ivor Barnard
P. Molon, chemist

Lucie Mannheim
Mme Suzanne Koch

David Ward
Henri Asticot

Valentine Dyall
Warren Skelton

Patricia Hayes
Woman

John Baker
Policeman

Martin Miller
Walter Vogel

Laurence Hanray
Police Commissioner

Raymond Lovell
Robert Duclos

Hella Kürty
Hilda Vogel

Hugo Schuster
Inspector

Anthony Shaw
Major Anthony Chandon-Hartley

Patricia Medina
Odette Roux

Julien Mitchell
Michel Beghin, intelligence chief

Frederick Valk
Emil Schimler, alias Paul Heimberger

Victor Rietti
Restaurant Owner

Clare Hamilton
Mary Skelton

Joseph Almas
Albert, the Waiter

Ernst Ulman
Detective in Black Suit
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Challenge your knowledge of Hotel Reserve with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is the name of the Austrian refugee who is the film's main protagonist?
Peter Vadassy
Andre Roux
Paul Heimberger
Michel Beghin
Show hint
Read the complete plot summary of Hotel Reserve, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In 1938, Peter Vadassy is an Austrian refugee who travels to the sun-soaked French Mediterranean coast to celebrate finishing medical school and his upcoming French citizenship. He checks into the quiet Hotel Reserve, a place that promises calm among waves and warm memories. On a routine errand to the local pharmacy to collect his photographs, he is detained by Michel Beghin, the hotel’s mysterious intelligence chief, and pulled into a web he never sought to join. The negatives he carried reveal shots of French military installations, and though the camera bears the same make as his, the serial number doesn’t match. Peter is released only on a landlocked promise: uncover who else at the hotel might possess cameras like his.
As the days unfold, Peter quietly probes the hotel’s corners and eavesdrops on a tense exchange between Paul Heimberger, a once-banned critic turned anti-Nazi dissenter, and Madame Suzanne Koch, the hotel’s proprietor. His search leads him to Heimberger’s room, where he discovers a cache of passports—different names and nationalities that scream of disguises and danger. Heimberger catches him in the act, and the confrontation spills out into a confession: Heimberger had endured a cruel past as a Social Democratic newspaper publisher who opposed the Nazi regime, was jailed in a concentration camp for years, and now operates underground in resistance to the regime. The encounter deepens the mystery and the stakes.
Peter’s suspicions converge when he spots a camera—the same model—tucked away in the dressing gown pocket of Odette and Andre Roux, a newlywed couple currently staying at the hotel. Andre, a striking blend of charm and menace, first tries to buy Peter off with money, then escalates to threats with a pistol. The arrival of the police interrupts the confrontation, and Peter is arrested on charges of espionage, a badge he never sought to wear.
The Rouxs depart the hotel in a haze of fear and defiance, but their path soon crosses Heimberger’s trail. Heimberger is found attempting to sabotage the hotel’s car, an act that ends in his murder at the hands of Andre. The couple races away toward Toulon, ignorant of the fact that the law has been quietly closing in on them. Beghin’s long game comes into focus: he has known the identities of the spies all along and has used Peter as a tool to expose who the Rouxs are reporting to. The spy ring begins to crumble under the weight of deception and double dealings, and the net tightens around the Rouxs.
In a final, tense showdown, Andre manages to slip away from capture for the moment, but Peter closes the distance, cornering him on a rooftop. The bribe is offered once more, a familiar lure to tempt fate, but it proves to be Andre’s undoing: he loses his leverage, slips, and falls to his death, leaving the mystery of the espionage ring carried by the wind and the sea.
The film threads a careful balance of suspense and motive, painting a portrait of ordinary people pushed into extraordinary danger by geopolitics and the shadows of resistance. The acting ensemble lends a crisp realism to the tension, from the controlled manipulation of Beghin to the uneasy moral ambiguities faced by Heimberger, and the brittle, dangerous charm of the Roux pair. The setting—an elegant coastal hotel under the strain of clandestine networks—provides a claustrophobic stage where every conversation could be a trap and every photograph a potential key to a larger conspiracy.
Throughout, the narrative keeps its focus on the choices made under pressure, the risks of trust, and the fragile line between truth and subterfuge. As Peter navigates the escalating danger, the story answers with a resolute, if somber, endpoint: the pursuit of justice and the exposure of a web of espionage that stretches beyond a single hotel, leaving behind a trail of consequences that linger long after the credits roll.
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