
Featuring a lineup of top beat groups performing sixteen rock‑and‑roll and ballad hits, the film offers a quirky 1960s fable reminiscent of Romeo and Juliet. Rival musical clans—one rock, the other ballads—are united by a forbidden romance that reunites both worlds. The story includes charming furry puppets called Gonks.
Does Gonks Go Beat have end credit scenes?
No!
Gonks Go Beat does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Gonks Go Beat, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Gary Cockrell
Committee Man

Lulu
Self

Reginald Beckwith
Professor

Alan David
Singer

Pamela MacDonald
Tutor

Derek Thompson
Singer (Derek and Elaine)

Frank Thornton
Mr. A&R

Barbara Brown
Helen

Terry Scott
PM

Kenneth Connor
Wilco Roger

Iain Gregory
Steve

Jerry Desmonde
Great Galaxian

Arthur Mullard
Drum Master

Elaine Thompson
Singer (Derek and Elaine)

Gillian French
Beatland Prime Minister

Gabriella Lewis
Policewoman

Pam Oswald
Congress Lady
Discover where to watch Gonks Go Beat online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Letterboxd.
Challenge your knowledge of Gonks Go Beat with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is the name of the emissary sent by the galaxy overlords to Earth?
Wilco Roger
Mr. A&R
Beatland Boy
Ballad Isle Girl
Show hint
Read the complete plot summary of Gonks Go Beat, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In a distant future Earth has become a place split between two starkly different worlds: Beatland, where long hair, polo necks, jeans, sunglasses, and a sharp beat soundtrack define the vibe; and Ballad Isle, where short, tidy hair, pressed shirts or floral dresses, twinsets, and crooners set the mood. Each year these two factions stage a musical showdown, watched over by the neutral and formidable Mr. A&R. The rivalry is fierce, yet not without mischief—the two sides occasionally slip into each other’s domains to swipe ideas, glimmers of harmony buried beneath mutual suspicion.
Watching all of this with growing impatience are the overlords of a distant galaxy, who have followed Earth’s dissonant feuding with mounting exasperation. They decide to intervene and dispatch a bungling yet determined emissary, Wilco Roger, to mend fences and coax the warring factions toward reconciliation. The warning is clear: fail, and Wilco Roger will face exile on Planet Gonk, a strange and daunting world where spherical, fluffy toys shuffle about to the sounds of Dixieland jazz.
On Earth, Wilco Roger makes contact with the shrewd Mr. A&R, and the two work in tandem to untangle a deeper thread beneath the feud: a forbidden romance between a Beatland boy and a Ballad Isle girl. With Mr. A&R’s cunning and Wilco Roger’s otherworldly influence, they craft a path for the couple to unite without fear and to produce a piece that might bridge the cultural chasms between their two worlds. The plan hinges on more than a mere song; it’s a statement that music can cross divides and heal old wounds.
As the annual competition arrives, the crowd braces for the usual clash of styles. Instead, the Beatland boy and the Ballad Isle girl take the stage together, presenting a collaboration that astonishes everyone. Their song, Takes Two to Make Love, defies the expected boundaries and quickly becomes the night’s unexpected sensation, beloved by both sides of the musical divide. Seeing the work resonate so powerfully, Mr. A&R declares it the undeniable winner and delivers a sweeping message: the time has come to end the silliness and to embrace a world where every kind of music—and every kind of people—can coexist.
With the triumph of this duet, the walls between Beatland and Ballad Isle begin to crumble. The galaxy’s quiet patience finally pays off, showing that creativity and collaboration can unite even the most entrenched rivalries. The story closes on a hopeful note: harmony isn’t merely possible, it’s listening to all kinds of music and letting them blend into something new and beautiful. The lesson endures—that true progress comes from openness, respect, and the courage to listen beyond one’s own borders.
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