Getting It (2020): Cast & Ratings
Getting It is a 2020 romantic film starring Tom Heard as Jamie, Donato De Luca and Lana Dieterich. It runs 1 hour 45 minutes. Its Echo Score is 70/100.
- Released
- Runtime
- 1h 45m (105 min)
- Genre
- Romance
- Original language
-
English
- Studio
- DreamGrabber Films
- After the credits
- No No extra scene
What Is Getting It About?
The premise of Getting It without spoilers.
Jamie, a cabaret singer, is trying to move on after a difficult breakup with his former partner. Ben, a young poet, is grappling with the loss of his mother. Their paths cross at a local gathering, and an unexpected connection begins to mend their wounded spirits. As they grow closer, the film explores whether people can truly overcome their past hurts and find lasting change.
Getting It Themes & Keywords
· 29 tags- heart
- gay
- older man younger man relationship
- selfish man
- bald man
- poet
- apartment complex
- gay kiss
- motel
- sharing a bed
- selfishness
- apartment
+17 more Show fewer
- gay interest
- gay relationship
- washing a car
- swimming pool
- kiss
- hat
- campfire
- tent
- winery
- grief
- hugging
- kissing by a campfire
- men holding hands
- gay sex
- sex scene
- holding hands
- death of mother
Getting It Cast & Characters
Tom Heard leads the cast as Jamie, with Donato De Luca as Ben and Lana Dieterich as Estelle.
- Tom Heard as Jamie
- Donato De Luca as Ben
- Lana Dieterich as Estelle
- Jane Schwartz as Motel Clerk
Also Starring in Getting It
· 11 more- Christopher Lee Herod Jerry
- Jason Graf Luke
- Lesley Pedersen Alicia
- Sharron Bower Elaine
- Luke Hill Patrick
- Adrian Laguette Linus
- Rob Kaczmarek David
- Laura Galt Sunny
- Juliet Robb Susan
- Shanna Lea Reception Guest
- Siegen Bretzke DJ Siegelberry
Getting It Reviews & Ratings
Our Echo Score gives it 70/100, strongest in character & emotion (75) and weakest in sensory experience (55).
Getting It Echo Score Breakdown
Getting It presents a mixed execution, with moments of charm offset by uneven pacing and tonal inconsistency. Positive elements include approachable characters, sincere writing, and occasional effective musical scenes, while criticisms focus on a plodding narrative, repetitive singing, and low‑budget production values. The film resonates for some viewers seeking heartfelt representation, yet many find its structure and sensory choices lacking. Consequently, the movie holds modest appeal.
Our own 0–100 rating, built from five aspects: art, character, story, the sensory experience and how well a film rewatches.
- Art & Craft 70
Regarding art and craft, the film displays modest technical competence but lacks visual distinction. Critics note its low‑budget aesthetic and occasional flat editing, while some viewers appreciate the effective use of intimate settings and competent direction in scenes focusing on character interaction. The cinematography remains functional without notable stylistic flair, resulting in an overall adequate but uninspired craftsmanship.
- Character & Emotion 75
In terms of character and emotion, performances generate divergent reactions. Several reviewers commend the chemistry between leads and the accessibility of the protagonists, describing the portrayals as genuine and emotionally resonant. Conversely, critics highlight uneven acting, forced singing, and a lack of depth in supporting roles, noting moments of awkwardness and limited relational dynamics. Overall, character work ranges from solid to inconsistent, shaping mixed audience engagement.
- Story & Flow 68
The story and flow receive mixed appraisal, with praise for its heartfelt premise and simple narrative structure that some find emotionally layered. Positive feedback cites sincere writing, relatable themes, and an engaging arc that sustains interest for many viewers. However, detractors describe the plot as dull, plodding, and overly saccharine, pointing to uneven pacing and lack of originality. Consequently, the narrative is perceived as modestly effective but hampered by execution flaws.
- Sensory Experience 55
Sensory experience is polarized, particularly regarding the musical elements. Reviewers who enjoy the soundtrack highlight memorable songs, humor interludes, and effective integration of music into emotional beats. In contrast, many comment on repetitive, grating singing and subpar lyrical quality that detract from immersion. Sound design and visual style are described as functional yet unremarkable, contributing to an overall sensory impression that oscillates between occasional charm and persistent irritation.
- Rewatch Factor 70
Rewatch factor reflects a divided audience response. Several users express enthusiasm for multiple viewings, appreciating the emotional sincerity, relatable characters, and enjoyable musical moments, suggesting lasting appeal. Conversely, critics note that the film’s sluggish pacing and repetitive elements diminish desire for repeat engagement, with some viewers fast‑forwarding during screenings. Overall, the movie offers modest rewatch potential for those attuned to its themes, while others are unlikely to revisit.
Seen Getting It?
Movies Like Getting It
Films with a similar story, tone or audience, including Getting It Right, Get Your Stuff and Between Here & Now.
Getting It FAQ: Cast, Runtime & Release Date
Runtime, release date, cast and post-credit scenes of Getting It, each answered in a sentence.
How long is Getting It?
Getting It runs 1 hour 45 minutes (105 minutes).
When was Getting It released?
Getting It was released on July 14, 2020.
Who is in the cast of Getting It?
Getting It stars Tom Heard as Jamie, Donato De Luca as Ben and Lana Dieterich as Estelle, among 15 credited actors.
Does Getting It have a post-credit scene?
No. Getting It has no extra scene during or after the credits.
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