Diaz - Don’t Clean Up This Blood 2012
In late July 2001, thousands protested the G8 summit in Genoa, where Carlo Giuliani was shot after approaching a police vehicle. That night officers stormed Diaz High School, where a hundred students and journalists documented the violence, and Amnesty International called the raid the gravest breach of civil liberties in a democracy since World War II.
Does Diaz - Don’t Clean Up This Blood have end credit scenes?
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Diaz - Don’t Clean Up This Blood does not have end credit scenes. You can leave when the credits roll.
Meet the Full Cast and Actors of Diaz - Don’t Clean Up This Blood
Explore the complete cast of Diaz - Don’t Clean Up This Blood, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
Fabrizio Rongione
Nick Janssen
Max Mauff
Karl
Elio Germano
Luca Gualtieri
Renato Scarpa
Anselmo Vitali
Nicodim Ungureanu
Gianluca Zoccoli
Alessia Giuliani
Simplicia Spregiotti
Marit Nissen
Madre di Alma
Orietta Notari
Caterina
Emilie de Preissac
Camille
Antonio Zavatteri
Carabiniere
George Remes
John
Pietro Ragusa
Aaron
Francesco Acquaroli
Vinicio Meconi
Ignazio Oliva
Marzio Pisapia
James Longshore
Charles
Christoph Letkowski
Rudy
Jennifer Ulrich
Alma Koch
Ionut Chermenski
Poliziotto Documenti
Ana Ularu
Gala
Claudio Santamaria
Max Flamini
Maximilian Dirr
Fratello di Ralf
Gianmaria Martini
Lenny
Adina Cristescu
Poliziotta 1
Ralph Amoussou
Étienne
Paolo Calabresi
Francesco Scaroni
Lilith Stangenberg
Bea
Alexandru Bindea
Fedele Pasticci
Clara Vodă
Daniela Tenuti
Pino Calabrese
Pubblico Ministero
Duccio Camerini
Aldoino Fracassi
Andrei Mateiu
Poliziotto in Borghese
Paolo Giovannucci
Medico Bolzaneto
Cristiano Morroni
Responsabile GSF 2
Federico Pacifici
Funzionario Questura
Antonio Gerardi
Achille Faleri
Rolando Ravello
Rodolfo Serpieri
Aylin Prandi
Maria
Alessandro Procoli
Caposquadra Sapori VII
Davide Iacopini
Marco
Mattia Sbragia
Armando Carnera
Alessandro Roja
Marco Cerone
Eva Cambiale
Donata Stranieri
Mica Bara
Karin
Sarah Marecek
Inga
Christian Blümel
Ralph
Orlando Klaus
Henke
Friederike Straub
Jutha
Esther Ortega
Ines
Monica Bîrlădeanu
Constantine
Camilla Semino Favro
Franci
Jerry Mastrodomenico
Sesto Vivaldi
Vincenzo Zampa
Sandro Bisiach
Cosmin Seleși
Girolamo Volpi
Niccoló Piga
Henry
Giovanni Di Felice
Alain
Renato Marchetti
Modesto Merlini
Mircea Caraman
Vittorio Donati
Simone Sabani
Medoro Piacioni
Bruno Armando
Giocondo Mazzieri
Giorgio Caputo
Lavinio Napoli
Davide Gemmani
Direttore Gazzetta
Jacopo Maria Bicocchi
Silvio Pieri
Boris Vecchio
Barista
Ioana Picoș
Gilda
Oliviu Cristian
Hubert
Stefan Huluba
Igor
Piero Di Tanno
Responsabile GSF 1
Cezar Vlad Eugeniu Popescu
Responsabile GSF 3
Cezar Grumăzescu
Ragazzo "Cane"
Sorin Hroni-Godi
Luciano Merola
Alin Gheorghiu
Ciro Ferro
Gheori Moussem
Amico Cecile 1
Aziz Jassim Umar
Amico Cecile 2
Alessandro Marini
Ale Ragazzo Cancello
Dana Maria Mattei
Ragazza Rasta
David Brandon
Padre di Inga
Christiane Grass
Madre di Henke
Olimpia Mălai
Donna Francese
Bogdan Daniel Bobocea
Ragazzo Italiano 1
Bogdan Marhodin
Ragazzo Italiano 2
Dan Radulescu
Ragazzo Tedesco 1
Pop Augustin
Ragazzo Tedesco 2
Abu Zayed Amir
Ragazzo Spagnolo 1
Alexandru Nagy
Ragazzo Spagnolo 2
Massimiliano Franciosa
Caposquadra Cantone VII
Marco Conidi
Caposquadra Turi VII
Fabrizio Lo Presti
Vicequestore
Luis Frontini
Pensionato 1
Antonio Carlo Francini
Pensionato 2
Vanni Valenza
Pensionato 3
Ioana Elecfi
Ragazza Pass
Răzvan Hîncu
Amico John
Alberto Bergamini
Antiquario
Isabela Neamțu
Poliziotta 2
Cristina Gabriela Buburuz
Poliziotta 3
Bruno Buzzi
Poliziotto 1
Șerban Georgevici
Poliziotto 2
Gabriel Costin
Poliziotto 3
Orlando Petriceanu
Poliziotto 4
Marcel Cobzariu
Poliziotto 5
Rares Lucaci
Poliziotto 6
Clara Flores Aguilera
Signora Spagnola
Silvia Quarantini
Receptionista Hotel Genova
Daniel Marian Popa
Medico
Liviu Pojoni Jr.
Cameraman
Lucia Istrate
Infermiera
Alexandru Unguru
Giornalista Greco
External Links and Streaming Options
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Full Plot Summary and Ending Explained for Diaz - Don’t Clean Up This Blood
Read the complete plot summary of Diaz - Don’t Clean Up This Blood, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
The Diaz school in Genoa becomes the focal point of the film as police storm the sheltering protesters during the 2001 G8 summit. The night between July 21 and 22 unfolds as a tense, documentary-like sequence, drawn from real testimonies and judicial reports that shape a sweeping, multi-voiced portrait of what happened.
The film develops through the intertwining stories of several protagonists. Luca, a reporter for the Journal of Bologna, travels to Genoa to verify what happened in the wake of Carlo Giuliani’s death. He moves through crowded streets and tense squares, gathering fragments of truth from witnesses and officials alike, and his path threads with the others as the night deepens. Alma, a German anarchist, takes part in the clashes, her perspective a vivid thread in the mosaic of resistance and confrontation. The narrative follows her experiences alongside those of Marco, a member of the Social Forum, and Franci, a lawyer for the Genoa Legal Forum, who band together in a desperate search for the missing amid the chaos.
Meanwhile, Anselmo, a veteran activist in the Pensioners’ Union, embodies a different strand of protest, having joined a peaceful march against the G8. The film also centers on the two French anarchists, Étienne and Cecile, who are drawn into the street fighting, their choices echoing across the night. In Rome, Max Flamini—the first assistant chief of the police mobile squad—faces a pivotal decision in the morning hours of July 21: he chooses not to order a charge against the Black Block, aiming to spare many peaceful demonstrators from harm.
Together, these destinies—and hundreds of other protesters—converge in the Diaz school, their paths crossing, diverging, and colliding as the night unfolds. The film uses their intertwining stories to present a layered, human-centered account of the events, rather than a single narrative, inviting viewers to witness the gravity, fear, courage, and controversy that defined those hours.
In a neutral, careful voice, the movie grounds its drama in real testimonies, letting the voices of those who lived through the night carry the weight of the memory. The result is a long, immersive meditation on a night that became a milestone in modern protest, a night when a school turned into a stage for conflict, rescue, and the difficult search for truth.
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