
Orphan Olga Vasilyeva, raised in a Sverdlovsk orphanage, clings to a single clue—a preserved letter from her unknown mother. During a brief factory‑school vacation she journeys to Moscow, following the shaky trail. There she meets Yelena Alekseyevna, a ballet school teacher and wife of a modest senior lecturer at the Moscow Technical Institute. Though Yelena shares Olga’s surname and a similar middle name, she is not her mother, but she kindly offers shelter and assistance in the search.
Does Daughters-Mothers have end credit scenes?
No!
Daughters-Mothers does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Daughters-Mothers, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Larisa Udovichenko
Galya

Innokentiy Smoktunovskiy
Vadim Antonovich Vasilyev

Grigoriy Malikov
Grisha

Zura Kipshidze
Rezo

Boris Bachurin
guy from Uralmash

Tatyana Parkina
cook

Lyubov Kalyuzhnaya
orphanage's nanny

Tatyana Nikitina
Olya's friend

Tamara Makarova
Yelena Alekseevna Vasilyeva

Lyubov Polekhina
Olga Vasilyeva

Svetlana Smekhnova
Anya

Yelena Stroyeva
employee of an orphanage

Valentina Khmara
governess of an orphanage
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Read the complete plot summary of Daughters-Mothers, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Olga Vasilyeva, Lyubov Polekhina, a young woman raised in an orphanage and studying at a vocational school, is determined to find the mother she has never met. Olga’s only clue is a letter from her mother, kept in her file at the orphanage. During her vacation, she travels from Sverdlovsk to Moscow, where the return address on the letter leads.
At this address lives Elena Alexeyevna Vasilyeva, Tamara Makarova, a ballet teacher, married to a professor at a Moscow technical institute. Although she warmly welcomes Olga, they quickly discover that Elena is not her mother; she simply shares the same name as Olga’s mother. Despite this, Elena sympathizes with Olga and offers to help her in her search, inviting her to visit anytime.
Olga, kind-hearted, straightforward, and resilient, often speaks her mind, which creates tension with Elena’s daughters, Anna and Galina, who are spoiled and disdainful toward the provincial newcomer. Olga’s bluntness also inadvertently stirs conflict between Elena and her husband, Vadim Antonovich Vasilyev, Innokentiy Smoktunovskiy, who has been struggling with stalled ambitions in academia. Though her honesty creates awkward situations, Elena continues to support Olga and aids in the search for her mother.
When the vacation ends, Olga returns to her vocational school dormitory at the Ural Heavy Machinery Plant in Sverdlovsk. Surrounded by familiar faces, she still feels deeply alone. Eventually, she receives news from Elena: Vadim Antonovich has found her mother in the town of Toropets, in the Kalinin region. Resolute, Olga prepares for the journey, realizing that her mother might need her help.

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