
Abu Raed, a humble airport janitor in Amman who dreams of travel, finds a discarded pilot’s hat. Local children think he’s a captain and beg for stories of distant lands. He weaves imaginative tales, forming a bond with them, and confronts the harsh realities of their lives, deciding to help improve their future.
Does Captain Abu Raed have end credit scenes?
No!
Captain Abu Raed does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Captain Abu Raed (2007) via JustWatch.
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SDExplore the complete cast of Captain Abu Raed, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Nadim Sawalha
Abu Raed

Dina Raad-Yaghnam
Um Murad

Ghandi Saber
Abu Murad

Hussein Al-Sous
Murad

Rana Sultan
Nour

Odai Qedese
Tareq

Mohammad Qteshtat
Hilal

Nadim Mushahwar
Sameh

Faisal Majali
Ziad

Ali Maher
Nour' s Dad

Lina Attel
Nour's Mom

Khaled Al-Safi
Ali

Rami Samara
Rami

Ayat Najah Abd Al-Sadeq
Petra

Khuloud Khaled Issa
Khuloud
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What is Abu Raed's job at Queen Alia International Airport?
Read the complete plot summary of Captain Abu Raed, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Abu Raed works as an airport janitor at Queen Alia International Airport in Amman. One day, he discovers a Royal Jordanian captain’s hat tossed in the trash, and the neighborhood kids immediately mistake him for a seasoned pilot. They beg him to share stories of his adventures, and after initially resisting, he eventually opens up. He spins tales of imaginary journeys to England, France, and New York, the flights of fancy earning him the nickname Captain Abu Raed.
Murad, an older child in the group, knows the truth about Abu Raed and resolves to debunk the myth, muttering the line, “People like us don’t grow up to be pilots.” With a handful of dinars he has managed to scrounge, Murad leads the other children on a taxi ride to the airport, intent on proving the truth. But the reality hits hard when the kids glimpse Abu Raed on his hands and knees, scrubbing the floor, and the illusion shatters in their eyes.
Meanwhile, at the airport and on the ride home, Abu Raed’s encounters reveal deeper secrets. Nour, a female pilot whose wealthy father keeps steering her toward an arranged marriage, shows a warmth that contrasts with the harsh world he has navigated. During a visit to Abu Raed’s home, he shares snippets of his own past, including the loss of a wife and a son named Raed, painting a more complicated portrait of the man behind the stories.
Tareq is another student of Abu Raed’s legend, the boy whose father once forced him to hawk wafers on the street instead of going to school. Abu Raed recognizes his potential and buys up all the wafers so Tareq can attend school. Yet the act, meant to help, also binds Tareq to a harder reality: it leaves him with more wafers to sell, a reminder of the precarious world these kids inhabit and the fine line between generosity and unintended consequences.
As the truth about Abu Raed begins to surface, the film shifts toward forgiveness and protection. Abu Murad, Murad’s father, is driven by rage and poverty, and his abusive behavior toward Murad’s mother, Um Murad, underscores the family’s fragility. After Abu Raed forgives Murad and returns the pilot hat as a symbol of mercy, a bond forms between the two boys. Murad’s later act—stealing a model airplane from a travel agency and suffering a burn as punishment—deepens Abu Raed’s resolve to shield the family from harm.
That resolve culminates in a plan to move Murad, his younger brother, and their mother to safety. Nour volunteers to shelter them, bringing a car to the neighborhood and helping them pack. In a tense moment, Murad dashes back to reclaim the pilot’s cap, the symbol of his dreams. Nour drives away with the family to a safer place, while Tareq returns to ask what is happening; Abu Raed’s clipped reply, “Nothing,” hangs in the air as a quiet goodbye.
The danger remains, and Um Murad’s warnings echo in the background: “He’s going to kill you.” In the climactic scene, Abu Raed sits inside the Murad apartment as Abu Murad returns and threatens him, and the story implies that Abu Raed does not survive the encounter. The lasting image of the film is not Abu Raed’s death alone, but the legacy he leaves behind. Years later, a grown Murad stands at the edge of the airfield, now a Royal Jordanian pilot, looking out toward the sky that once sparked his dreams—an echo of the man who once told him stories and gave him a chance to hope.

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