
Comedy about the flawed Italian healthcare system of the time and a doctor’s expeirence with it.
Does Be Sick… It’s Free have end credit scenes?
No!
Be Sick… It’s Free does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Be Sick… It’s Free, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Alberto Sordi
Guido Tersilli

Leopoldo Trieste
Pietro

Maria Mizar
Merchant

Claudio Gora
Chief Physician

Christian Aligny
Painter

Ida Galli
Anna Maria

Massimo Foschi
Last Volunteer

Filippo De Gara
Hospital Doctor

Sandro Dori
Dr. Zeccone

Gianfranco Barra
Dr. Sandolini

Cesare Gelli
Dr. Filopanti

Sara Franchetti
Teresa

Luciana Paoli

Jimmy il Fenomeno
Patient

Ennio Antonelli
Calisto Cecconi

Luciano Bonanni
Patient

Adriana Giuffrè
Marianna

Nestore Cavaricci

Barbara Herrera

Gastone Pescucci
Dr. Binasco

Pupella Maggio
Mrs. Parise

Tano Cimarosa
Salvatore Laganà

Nanda Primavera
Guido's Mother

Marisa Traversi
Prostitute

Danika La Loggia

Mario Ingrassia
Bar Customer (uncredited)

Marco Tulli
Porter

Mirella Pamphili

Bice Valori
Amelia

Bruna Beani

Sandro Merli
Dr. Drufo

Giovanna Di Vita
Woman Making Dumplings

Milly Vitale

Egidio Casolari
Simeone

Giovanni Nuvoletti
Surgeon

Franco Abbina
Dr. Misticò

Armando Malpede

Elena Nicolai

Patrizia De Clara
Pasqualina

Riccardo Paladini

Franca Maria Giardina

Suzy Monen

Luigi Valanzano
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Read the complete plot summary of Be Sick… It’s Free, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In Rome, Guido Tersilli, Alberto Sordi a young medical graduate, dreams of opening his own practice to repay his widowed mother’s countless sacrifices. He signs up with a health-insurance scheme that rewards him for every new patient, and the more people he treats, the more money he earns. The catch is that some requests from patients push beyond the bounds of necessity, turning medical care into a race for quantity over quality.
With the support of his mother and fiancée Teresa, Sara Franchetti, Guido sets out to establish his practice. He also gains practical experience by volunteering in a hospital, where his energy and resolve win him the attention of the head physician and the nursing staff. Yet his aggressive, hustle-driven method of attracting patients begins to strain his colleagues and unsettle the hospital’s routines.
To amplify his patient base, Guido befriends an elderly doctor, Dr. Bui, and orchestrates a deceitful plan by feigning affection for Bui’s wife, convincing them to transfer all patients to him. The scheme deepens as Guido relocates to a new clinic after Bui’s death, leaving the widow behind and widening the net of his influence.
Everything accelerates when Guido encounters Anna Maria, a wealthy woman he intends to marry. The prospect of stability fuels his ambition, but the mounting pressure of tending to over 3,100 patients takes a physical and emotional toll, and he collapses. Though his colleagues attempt to lay claim to his patients, Guido resurges, choosing to carry on his practice from home and directing his nurse over the phone.
This brisk, satirical look at medical ambition traces Guido’s ascent and its ethical costs, painting a portrait of a man driven by money, prestige, and a relentless drive to control every outcome. Through its wry humor and sharp observations, the story raises questions about the price of competence when success means bending, or breaking, the rules. As Guido negotiates love, loyalty, and legitimacy, the film invites viewers to consider where ambition ends and humanity begins, all set against the bustling backdrop of postwar Rome.

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