
Three teenage girls, struggling with difficult circumstances, rob a strip club and find themselves pursued across the country by a prejudiced Federal Agent. Their daring escape involves acquiring a substantial amount of money, drugs, and an unexpected group of accomplices. As they journey, they confront their past actions and the consequences of their choices while evading capture.
Does Bad Girls have end credit scenes?
No!
Bad Girls does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Bad Girls, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Shawn C. Phillips
Vlogger 3

Elizabeth Mears
Kelly

Shane Silman
Danny Lucifer

Aaron Blomberg
Jail Guard

Darelle D. Dove
Special Agent McMurphy (as Dove Dupree)

Cleve Langdale
Bard Gainsworth

Mike Amason
Special Agent Cannon

Tripp Klimka
Jim Cathcart

Andrew Spencer
Kenny

Christopher Bickel
Officer Borona Birus

Paul Talbot
Fred Babydaddy Boudreau

Bradley J. Petit
Officer Porter Rockwell

Stephen Nemeth
Pedro the Dead Clerk

Micah Peroulis
Zerox Rhodesia

Morgan Shaley Renew
Val

Sanethia Dresch
Mitzi

Shelby Lois Guinn
Carolyn

Jonathan Benton
Rusty

Stanford Gardner
Officer John Long John Long

Stephan Jensen
Officer Jeff Skunk Baxter

Merritt Vann
Wendell
Discover where to watch Bad Girls online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Rotten Tomatoes or Letterboxd.
See how Bad Girls is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Bad Girls stands among top-rated movies in its genre.
Bad Girls delivers a polarizing grindhouse experience that divides viewers. On one hand, the film’s low‑budget energy, inventive drug‑induced visuals, and relentless action have been praised as lively and cult‑worthy, while its rapid pacing keeps the narrative moving. On the other hand, numerous critics cite uneven acting, crude production values, and a thin storyline as major drawbacks. The mixed reception results in an overall moderate rating that reflects both its strengths and its flaws.
The Movie Echo Score Breakdown for Bad Girls
Art & Craft
In terms of direction and visual craftsmanship, Bad Girls shows moments of gritty ingenuity. The opening sequence and several action set pieces have been highlighted for dynamic camera work and effective low‑budget practical effects. Conversely, many observers note inconsistent editing and uneven cinematography that betray the film’s limited resources. Overall, the film’s artful bursts are tempered by technical roughness.
Character & Emotion
When it comes to character and emotional impact, the performances oscillate between committed bravado and flat delivery. Several reviewers commend the cast for embracing their pulpy roles and delivering memorable lines that enhance viewer engagement. Yet a sizable portion of feedback highlights wooden acting and one‑dimensional portrayals that hinder audience connection. Consequently, the film offers occasional standout moments amid generally shallow character work.
Story & Flow
Regarding story and narrative flow, Bad Girls prioritizes fast‑paced action over intricate plotting. The plot is introduced quickly and maintains relentless momentum, which many find exhilarating. However, critics point out minimal exposition and a lack of deeper thematic development, leaving the story feeling thin. In sum, the film succeeds in delivering kinetic energy while sacrificing narrative depth.
Sensory Experience
In terms of sensory experience, the film’s soundtrack and sound design receive praise for their gritty, raspy quality that complements the chaos on screen. Visuals, especially the hallucinogenic drug sequences, are noted for inventive color work and practical effects. Nevertheless, some listeners describe the music as mere noise and cite inconsistent audio mixing. Overall, the sensory elements are bold and effective, though not uniformly polished.
Rewatch Factor
The rewatch factor for Bad Girls is anchored in its cult‑film potential and unapologetic grindhouse style. Many viewers express a desire to experience its over‑the‑top action and trippy sequences again, citing memorable set pieces and quotable dialogue. Contrarily, several critics recommend skipping the film altogether, finding little incentive for repeat viewings. Consequently, its replay value is divided, appealing chiefly to genre enthusiasts.
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