Runtime
106 mins
Language
English

The film explores the life and legacy of Mahatma Gandhi through the perspective of a young street child named Kencho. A chance encounter with a currency note featuring Gandhi's image sparks the boy's curiosity and leads to his adoption by an NGO. There, he learns about Gandhi’s principles and their relevance to modern society, prompting him to reflect on his own place in the world.
Does Babar Naam Gandhiji have end credit scenes?
No!
Babar Naam Gandhiji does not have end credit scenes. You can leave when the credits roll.
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What is the name of the ten‑year‑old boy who is the protagonist of the story?
Read the complete plot summary of Babar Naam Gandhiji, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Kencho is a 10-year-old boy who walks through life as a quiet, solitary figure. Abandoned at birth and left in a dustbin, he is found by a beggar and gradually becoming an expert at surviving on the streets. He earns more than other beggars his age by using sharp wits rather than force: he shadows men hurriedly relieving themselves on the roadside, threatening to alert the police if they don’t part with cash; he wanders into parks where couples share private moments and corners them for small sums; and at night he taps into a nearby hospital’s phone top-up stall, buying top-ups and selling them at a higher price when emergency is needed. His world is a ledger of small fortunes, and he keeps every earned rupee in the custody of a man known as NGOda, a figure who once held a high-profile corporate job but now dedicates his time to teaching the vulnerable children who orbit the city’s brothels. NGOda cares deeply for Kencho and secretly hopes he will choose reading and learning over quick money.
This bond grows in tension with Kencho’s growing belief in the idea of education as a path to a better life. NGOda hopes Kencho will pick up books and join a night class, but Kencho is drawn more to the immediate rewards of street-smarts. He uses his savings to shield himself from both the drunken cycles of the brothel and his own spendthrift tendencies. The dynamics at the center of this world are complicated by NGOda’s relationship with Trina, a woman with a corporate job who loves him but disapproves of his methods and the constant quarrels between them threaten to pull their life apart.
A turning point arrives when Kencho stops a man on the road in the familiar act of intimidation. The man happens to be a police officer, and the interaction spirals into a scene of dark humor set on the Mahatma Gandhi Road. In the police station, the officers tease Kencho, joking that his father’s road belongs to him and that his father might be Mahatma Gandhi himself. A senior officer steps in, gently fostering the illusion that Gandhi could indeed be his father, and he is encouraged to believe this even more when a brothel pimp signals approval with a nod. The moment is bittersweet and ironical, and Kencho chooses to accept this link to a larger, venerable lineage. The idea surfaces again when the pimp nods, and Kencho’s joy is contagious enough to share with others through a celebratory treat of kachori and ghughni.
The spark of awe deepens when Kencho visits a school to deliver a simple envelope. Here, he encounters a girl named Mini, who offers him a jam-bread and shares a moment of kindness that quietly guides his imagination toward something beyond survival. Kencho learns that his imagined father—described as a lawyer-turned-social worker named Mohandas Karamchand Gandhi—had a life that touched others, and he begins to embed that legend into his daily life. In their shared afternoon tiffin breaks, Kencho and Mini become regular friends, meeting at the school gate and stealing small joys from a world that often forgets them. Mini’s simple generosity—sharing alukabli and later promising pati-sapta—gives Kencho a glimpse of a future built not on theft, but on smaller acts of care.
As the story unfolds, Mini’s father notices the echoes of the boy who had once snatched money in a car and questions the nature of Kencho’s life. The encounter sows unease, and the father asks his wife not to allow the boy into their home. Yet Kencho remains determined; he returns to the school gate, insisting on his own sense of belonging and asserting, with a stubborn pride, that he is the son of a man who once stood for justice and dignity. This moment crystallizes Kencho’s longing to belong to something greater than his current existence.
NGOda recognizes Kencho’s stubborn yearning for an education, and while Kencho is not eager to step into a conventional night school, he remains fixed on the idea of enrolling in the most famous school in town—the one Mini attends. The adult world around him resists; teachers may doubt, obstacles multiply, but Kencho’s resolve grows. He declares that the school should know him, that beating him would not erase his claim to admission, and that his destiny will be tied to the legacy he has chosen to claim, no matter how unorthodox that path may seem.
Throughout a series of twists and subplots, the film traces Kencho’s struggle to balance the lure of quick money with the ache for education, respect, and a place where he can belong. It probes questions of identity, lineage, and belief, and it tests the limits of what a child can endure when the world insists he must become something he already hopes to be. In the end, the story returns to the core question: can Kencho hold fast to the honor of his imagined lineage and gain admission to the school that he believes could redeem him? The answer unfolds with careful emotion, revealing how courage, a sense of kinship, and a stubborn faith in a better future can intersect in a city where every corner hides a second chance.

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