Anne at 13,000 Ft. 2019

Art & Craft

In terms of direction and cinematography, the film employs a handheld, low‑budget style that some reviewers describe as spare and beautiful, while others find it shakily executed and off‑putting. The visual approach reinforces the protagonist’s instability, yet the persistent camera movement can undermine clarity. Overall, the craftsmanship is competent but polarizing, yielding a moderate assessment.

Character & Emotion

When it comes to character and emotional depth, Deragh Campbell’s performance is repeatedly highlighted as nuanced, interiorised, and compelling. Critics note the portrayal as a convincing study of a volatile young woman, and several users echo the authenticity of the acting. A few dissenting voices feel the character fails to sustain interest, but the dominant sentiment praises the central portrayal.

Story & Flow

Regarding story and flow, the narrative follows a concise, 74‑minute arc that explores mental turbulence and an ambiguous climax. Reviewers appreciate its originality and willingness to avoid exposition, though some comment on a lack of backstory and occasional predictability. The pacing is measured, offering sustained engagement despite occasional moments of narrative opacity.

Sensory Experience

In the sensory realm, the film’s visual style—dominated by handheld close‑ups and muted color palettes—is praised for its raw intimacy but criticized for excessive shakiness. Sound design receives limited commentary, suggesting it neither elevates nor detracts significantly. The overall sensory experience is thus uneven, contributing to a middling evaluation.

Rewatch Factor

For rewatch factor, the film’s ambiguous ending and layered character study invite multiple viewings, and several critics find it compelling enough to revisit. Conversely, some audience members deem the pacing and visual technique tedious, reducing repeat appeal. The balance of intrigue and occasional monotony results in a generally positive, though not universal, rewatch potential.