
Victor, a single father, falls for Elisa and learns she is an Aswang. He accepts her and makes her his second wife. When the Aswang clan leader finds out Elisa and her mother have stopped feeding on humans, he dispatches other Aswangs to hunt them, endangering Victor’s family. Victor must face the clan leader to protect Elisa and his loved ones.
Does Ang Darling Kong Aswang have end credit scenes?
No!
Ang Darling Kong Aswang does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Ang Darling Kong Aswang, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Cristine Reyes
Eliza Santos

Barbie Forteza
Aileen

Joonee Gamboa
Father Anton

Empress Schuck
Keka

Mika Dela Cruz
Angel

Oyo Boy Sotto
DJ Midnight / Police

Vic Sotto
Victor Lagman

Wally Bayola
Gerry

Dante Rivero
Tata Do

Agot Isidro
Ida

Jackie Rice
Alpha

Joey de Leon
Mang Pekweng

Denise Laurel
Beta

Ritchie D'Horsie
Tom

Jean Garcia
Barang

Luz Fernandez
Nana Simang

Pia Guanio
Aip
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Challenge your knowledge of Ang Darling Kong Aswang with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who leads the group of aswang that terrorizes the village?
Read the complete plot summary of Ang Darling Kong Aswang, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
A sleepy village is shaken at night by a marauding group of aswang led by Batang Jean Garcia. One of its members, Elisa Cristine Reyes and her mother Ida Agot Isidro are caught by Barang along with her three daughters—Beta Denise Laurel, Alpha Jackie Rice, and Keka Empress Schuck—all of them found feasting on animal flesh, yet somehow they manage to escape. The danger lurking in the night casts a long shadow over everyone, foreshadowing a curse that would blur the lines between love and doom.
Victor Lagman [Vic Sotto], a widower and devoted father, raises two daughters, Aileen Barbie Forteza and Angel Mika Dela Cruz, while living with his stern father Do Dante Rivero, a village captain, and his peculiar cousin Tom Ritchie D’Horsie. When Elisa and Ida’s actions become known, Barang warns that consequences will follow if they continue down the path of human flesh. The danger feels personal for Victor, whose world begins to tilt as he crosses paths with Elisa and is drawn to her striking beauty, even as Ida does not quickly dismiss the possibility of true love breaking the curse. Victor decides to pursue Elisa, a decision that unsettles Aileen and Angel, who worry about his future and the delicate balance of their family.
As Victor and Elisa begin to court each other, Elisa privately confesses that she is an aswang. The revelation shakes Victor at first, but he remains resolute, drawn by the conviction that love can endure against any curse. Do tries to mediate, and at one point suggests a Church ceremony, while Ida leans toward a simpler civil wedding to align with the moon’s cycles. The full moon ceremony would reveal Elisa’s transformation, a stark reminder of the life she leads and the promise she hopes to keep. In a quiet but meaningful moment, Elisa explains that she never places salt in her cooking, a detail that becomes a practical sign of her dual nature.
Barang presses the danger, and Elisa and Ida seek help from Nana Simang [Luz Fernandez], who has long known the village’s legends and secrets. The looming threat intensifies when three ferocious dogs—believed to be the three sisters—arrive at Banong’s house, and Alpha, Beta, and Keka attack Victor’s home. In the chaos, Elisa urges Victor to salt the house as a protective measure, and the family rallies around this shared hope. Nana Simang provides counsel, but the danger remains all too real, pushing them toward a fateful choice about love, loyalty, and survival.
Victor, Do, and Tom eventually confront Barang’s lair, aided by Mang Pekweng’s instruments to combat aswangs. They fight through the night, confronting Gino and Joaquin and inching toward a rescue that could save Elisa. Banong’s death marks a brutal turning point, and Ida’s fate remains shrouded in uncertainty as the trio presses on. The mission culminates in a tense confrontation with Barang, whose ruthlessness tests every vow of protection the group has made.
As the plan to reach the Church gains pace with Aileen and Angel, Tom, and Jerry, the looming danger intensifies. Do finally reveals the family secret: their ancestors were once aswangs, and only through a path of atonement—and with Father Anton’s help—did their lineage turn away from that darkness. Elisa travels to Barang to learn what happened to Ida, only to become a sacrifice within the sect’s ritual, a chilling reminder of the costs of love in a world haunted by monsters.
Victor, Tom, and Jerry press forward, using Mang Pekweng’s instruments to intervene in Barang’s lair and attempt a daring rescue. The group fights through a barrage of threats and manages to kill Gino and Joaquin, buying time to escape. But Barang is relentless, and the danger escalates with each step toward safety. A dramatic chase leads them toward the Church, where the hope of sanctuary meets the ferocity of the aswang army.
In the final confrontation, Victor carries Elisa toward safety, but the battle takes a devastating turn. The Cross held by Father Anton becomes a beacon of hope as Elisa’s curse appears to break, and she regains a sense of peace. Yet, just as triumph seems within reach, Tom and Jerry reveal their other, terrifying side; they become aswangs, leaving Victor, Elisa, and the remaining allies screaming in horror as the dream of freedom slips away. The night ends on a chilling note, with the fragile line between love and danger firmly reestablished, and the village confronting the heavy cost of confronting the monstrous within and around them.

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