Among the Living 1941

John Raden Albert Dekker, heir to the fortune of his textile-magnate father, returns to the family estate for his father’s funeral, a homecoming after a twenty-five-year estrangement that unsettles everyone who remains on the grounds. There, he is confronted by his widowed stepmother, Elaine Frances Farmer Raden, and learns a truth that feels almost impossible: his twin brother, Paul, whom he believed had died when they were children, is alive and hidden away inside the manor. The secret is kept largely under the watch of Pompey Ernest Whitman, the Radens’ loyal African American caretaker who has long tended to the family with quiet devotion. The family doctor, Dr. Ben Saunders Harry Carey, explains the grim mechanics behind Paul’s condition—a brain injury suffered after their father struck him—and how a death certificate for Paul was forged to shield John from a scandal that could fracture the family further.

As the truth settles in, Paul’s fury explodes at the thought of the abusive father being laid to rest beside his mother, and violence erupts. In a brutal turn, Paul murders Pompey and vanishes into the night, and John, trying to control the unraveling of events, falsifies Pompey’s death certificate so the scandal never reappears. The next chapters unfold with Paul moving through shadowed spaces—a boardinghouse where he and the people around him intersect with fragile lives, including Millie Pickens Susan Hayward, the landlady’s daughter to whom Paul secretly gives money and who becomes a kind of anchor for his more human moments.

Paul’s search leads him to the local hotel, where confrontation with John becomes unavoidable. In a heated clash, Paul strikes John and then vanishes again, leaving a breath of danger in his wake. His path soon crosses with Peggy Nolan Jean Phillips in a cafe, a moment that initially seems ordinary until Paul’s obsession with Millie turns dark. He raves about Millie, a fixation that crescendos when Peggy, initially drawn to the strange man, eventually dances with someone else; when the cafe closes, Paul trails Peggy and accosts her in a dim alley, ending in her murder. News reports begin to link Pompey’s death with Peggy’s, fueling a collective sense that a monster stalks the town.

Into this maelstrom steps Bill Oakley Gordon Jones, a resentful ex-employee of the shuttered mill who decides to organize a vigilante response in an effort to capture the killer before fear destroys the town. Millie, probing the shadows of the estate, grows convinced that the killer may be hiding inside the old Radens’ house—a place locals dismiss as dilapidated and haunted, a mansion whose reputation looms large over every inquiry. With a pistol her father left behind, she confronts the possibility head-on and resolves to bring the truth to light, even as she fears what may be living within those walls.

Inside the house, Paul’s fragile balance shatters when Millie enters his mother’s old bedroom, a room steeped in memory and resentment. The encounter triggers a further downward spiral, and Paul’s violent impulses threaten Millie’s safety. Bill and a fellow vigilante arrive just in time to intervene, saving Millie from a brutal collapse of control. In the ensuing chaos, Paul is shot during the confrontation, but he manages a desperate escape, leaving John to arrive moments too late to salvage what remains of his brother’s humanity. The townspeople, however, are not ready to see John as anything but the man who stands in for a family they have come to fear.

As the case unfolds, the pressure mounts on the local judiciary. The townspeople push hard for an immediate hearing to condemn John, who insists on his innocence and his right to a fair determination of identity. Elaine presses Dr. Saunders to disclose the full truth about Paul’s fate and the forged documents, and the doctor agrees under mounting coercion. The revelation comes at a heavy price: Dr. Saunders is arrested for complicity in the falsification of Paul’s death certificate, and the legal machinery swings into motion in a town determined to pin blame on someone for the horrors that have rippled through the estate and its environs. In the end, Paul’s body is discovered in the cemetery, slumped over his beloved mother’s grave, a silent testament to a tragedy that could not be contained or cured by any single confession or courtroom verdict.

Throughout these events, the emotional weight remains with the family’s fragile ties and the town’s collective fear. The story moves between the intimate dynamics of the Radens and the broader social mood—the fear of a hidden killer, the desperate attempts to protect a loved one, and the inexorable pull of a past that refuses to stay buried. The characters—each etched with their own motives and flaws—navigate a maze of deception, guilt, and longing, where the line between protection and concealment becomes dangerously blurred. The era’s tension, the mansion’s looming presence, and the unresolved questions about truth, identity, and justice all converge in a narrative that keeps circling back to the central tragedy: a family fractured by secrets, and a town haunted by the fear that the killer might be one of their own.