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Does American Fiction have end credit scenes?
No!
American Fiction does not have end credit scenes.
![American Fiction](https://atm.fra1.digitaloceanspaces.com/movies/american-fiction.jpg)
American Fiction
2023
A disillusioned writer, Monk (Jeffrey Wright), sparks controversy by anonymously authoring a sensationalistic "Black" novel, poking fun at genre conventions. As his provocative work becomes an unexpected bestseller, Monk navigates a chaotic world where truth and fiction blur, forcing him to confront the very hypocrisy he initially sought to lampoon.
Runtime: 1 h 57 m
Language:
Directors:
Ratings:
![Metacritic](/images/common/movies/metacritic-logo.png)
82
Metascore
tbd
User Score
![Metacritic](/images/common/movies/imdb-logo.png)
7.8 /10
IMDb Rating
![Metacritic](/images/common/movies/tmdb-logo.png)
0.0
%
User Score
Check out what happened in American Fiction!
As the curtain rises on the film, we find ourselves in a college classroom, where esteemed author and professor Thelonious "Monk" Ellison (Jeffrey Wright) is passionately expounding upon the literary merits of a provocative work titled "The Accidental N—–". However, his impassioned delivery is met with resistance from a young white female student, who takes umbrage at the title's prominent display on the blackboard. Monk, an unapologetic African American man, stands by his artistic vision, insisting that he sees no inherent wrong in the title's explicitness. This disagreement sparks a chain reaction, ultimately leading to Monk being summoned before his superiors, who express concern over the discomfort some students have expressed regarding the reading assignment.
The stage is thus set for Monk's return to his hometown of Boston, where he confronts his agent Arthur (John Ortiz) with the crushing news that nine esteemed publishing houses have collectively rejected his latest literary endeavor. Seeking solace and a platform for his work, Monk agrees to participate in a prestigious book festival as a guest panelist. It is during this event that he crosses paths with celebrated author Sintara Golden (Issa Rae), whose critically acclaimed bestseller "We's Lives in Da Ghetto" has been met with widespread acclaim despite its depiction of prominent black stereotypes.
As Monk grapples with the harsh realities of his own literary career, he seeks comfort in familiar surroundings by visiting his sister Lisa (Tracee Ellis Ross) at her hospital. It is here that he reconnects with their ailing mother Agnes (Leslie Uggams), whose fragile health hangs precariously in the balance. Monk and Lisa share a poignant conversation about their troubled past, particularly the departure of their sibling Cliff (Sterling K. Brown), who was irreparably scarred by his complicated relationship with their parents.
The weight of these unresolved emotional scars is palpable as Monk returns to his daily routine, only to be stung by an unexpected affront: the discovery that his own literary endeavors are relegated to a segregated section of the local bookstore. His frustration is momentarily assuaged when Lisa intervenes, but it is not long before their lunchtime repast is disrupted by a devastating turn of events – Lisa's sudden and inexplicable heart attack.
As Monk rushes his sister to the hospital, the gravity of her condition becomes all too real. Despite the efforts of medical professionals, Lisa ultimately succumbs to her fate, leaving Monk to confront the cruel vicissitudes of life and the fleeting nature of human connection.
As the somber task of scattering Lisa's ashes concludes, Cliff (actor name) returns to join his brother Monk and their mother (and Lorraine) outside their father's beach house, the weight of their loss palpable in the salty air. A perturbed neighbor attempts to intrude upon their grief, only to be rebuffed by Monk's sharp wit. The brothers then indulge in a spirited conversation over wine, Monk sharing his recent struggles with the aftermath of a painful divorce revelation. His ex-wife had caught him in a compromising situation with another man, prompting Cliff to seek solace in sex and drugs.
As the night wears on, Monk becomes increasingly restless, his attention drawn to an upstairs water leak that has Agnes (actor name) sitting in the bathroom with a vacant expression, oblivious to the rising floodwaters. This peculiar encounter sets Monk on a path of introspection, as he finds himself drawn to Coraline (Erika Alexander), a neighbor who shares his passion for literature.
Monk's chance meeting with Coraline is marred by an unfortunate blunder regarding Mr. Ellison's suicide, a mistake that is only exacerbated by the revelation that she was his son. Despite this awkwardness, Coraline invites Monk inside for a glass of wine, where he meets her soon-to-be-ex-husband. The encounter leaves Monk feeling uneasy and out of sorts.
As Monk navigates these complex social dynamics, he receives devastating news from the doctor: Agnes is in the early stages of Alzheimer's disease. This crushing revelation sparks a creative fervor within Monk, who begins to pour his emotions into writing a new book. Inspired by Sintara's growing popularity, Monk starts working on "My Pathology," later retitling it "My Pafology" and imbuing it with a gritty, urban aesthetic.
Monk's narrative is populated by two larger-than-life characters: Willy The Wonker (Keith David) and Van Go Jenkins (Okieriete Onaodowan). He writes under the pseudonym Stagg R. Leigh, sending the manuscript to Arthur for review. When Arthur expresses skepticism about the project's viability, Monk argues that "My Pafology" is precisely the type of edgy, provocative work that publishers have been clamoring for.
As Monk's relationship with Coraline blossoms, he faces the harsh reality of needing to make arrangements to relocate Agnes from their home. Lisa's passing had left them in a precarious financial situation, and Monk must confront the practicalities of their new circumstances. He eventually seeks out Arthur, who reveals that they have secured a deal with Paula Baderman (Miriam Shor), a publisher notorious for rejecting Monk's previous work.
Monk seizes the opportunity to negotiate with Paula, adopting his "Stagg R. Leigh" persona and affectations of a gangster. The meeting is marked by tense negotiations and clever repartee, as Monk navigates the treacherous waters of the publishing industry.
As the evening wears on, Monk finds himself in the midst of a dinner party with Agnes, Lorraine, and Coraline. The air is charged with anticipation as he and Coraline's flirtation reaches new heights. However, their romantic interlude is abruptly interrupted by the sound of Lorraine's panicked cries, as it becomes clear that Agnes has vanished into thin air. Monk and Coraline abandon their intimate moment to scour the beach, finally locating Agnes wandering towards the water's edge. With a sense of relief, Monk begins making arrangements for her transfer to hospice care.
Meanwhile, Arthur seizes the opportunity to secure a meeting with movie producer Wiley (Adam Brody), hoping to adapt Monk's magnum opus "My Pafology" into a film. Donning his best Stagg impression, Monk convinces Wiley of his authenticity - or so he thinks. Just as the meeting appears to be going awry, Monk catches sight of an ambulance speeding away from the hospice center where Agnes is being kept. His instincts screaming "wrong," Monk makes a hasty exit, only to discover that Agnes is safe and sound, and the ambulance was actually en route to tend to someone else's medical emergency. Arthur later reveals that Wiley was so impressed by Monk's apparent reaction to police sirens that he's now convinced of Stagg's legitimacy.
The Literary Awards committee subsequently invites Monk to join Sintara as a judge, an honor that Monk accepts despite knowing that his inclusion is largely symbolic. As the awards approach, Monk and Arthur pay a visit to Paula, accompanied by her associate John Bosco (Michael Cyril Clayton). While professing their admiration for "My Pafology," their tone comes across as patronizing to Monk's sensitive ears. In response, he announces his intention to revise the book's title to something far more straightforward: simply "Fuck." The publishers are initially taken aback but ultimately agree to the change, leaving both Monk and Arthur stunned.
As the days unfold, Monk finds himself on a date with Coraline when he stumbles upon Cliff taking an impromptu dip in his pool. Despite attempts to coax him out of the water, Cliff pulls Monk in for a splashy bonding experience, with Coraline looking on. The next morning, they pay a visit to Agnes, who's been experiencing increased agitation and has had to be restrained from lashing out at her caregivers. Cliff's well-intentioned attempt to lift her spirits with a dance is ultimately derailed when she crudely reveals her long-held suspicions about his sexual orientation. Cliff departs in a huff, warning Coraline that their family will inevitably break her heart.
As "Fuck" hits the shelves, it skyrockets to the top of the bestseller list, with Monk's pseudonym, Stagg, serving as a masterstroke marketing move. The FBI takes notice, launching an investigation into the enigmatic Stagg, but Arthur reassures Monk that he has nothing to worry about. Meanwhile, during a dinner date with Coraline, Monk stumbles upon a copy of his own book that someone has thoughtfully given her. Her lukewarm reception prompts him to critique his writing for its lack of depth and nuance, much to the chagrin of his own ego. The evening ends with Monk being unceremoniously ejected from Coraline's home.
Monk then lends a hand to Lorraine as she prepares to tie the knot with her fiancé Maynard (Raymond Anthony Thomas). As they clear out Agnes' house, Monk can't help but notice that Cliff never did return home, contrary to initial reports. Despite this revelation, Lorraine still extends an invitation to Cliff to join them for the wedding, and Monk dutifully walks her down the aisle. During the reception, Monk and Cliff engage in a poignant conversation about their father's untimely passing, with Cliff offering words of wisdom that urge Monk to reconcile with Coraline.
As Monk becomes embroiled in the world of literature, he finds himself among a panel of esteemed judges for the prestigious Literary Awards, with "Fuck" being considered for top honors. While his fellow judges lavishly praise the book, Sintara remains unimpressed, labeling it as pandering to white audiences. Monk takes issue with her assessment, pointing out that her own work can be seen as trauma porn, designed to appeal to the same demographic. Sintara deflects these criticisms by turning them into a diatribe against black women, implying that they are somehow complicit in perpetuating societal ills. Despite their initial reservations, "Fuck" ultimately takes home the award.
In the days leading up to the awards ceremony, Monk finds himself pining for Coraline's affection, but she remains resolute in her indifference. Before donning his finest attire and heading to the ceremony, Monk makes a final visit to Agnes, where he opens up about his father's illicit affair, which she had been privy to all along. Her nonchalant reference to him as "Cliff" during their conversation leaves Monk feeling deflated and disheartened.
As the evening's festivities reached their climax, "Fuck" emerged victorious, claiming the coveted Literary Award. Monk, seemingly poised to unveil his true identity as Stagg, took a step forward, only for the scene to abruptly shift gears and find him in a creative powwow with Wiley on the set of their forthcoming blaxploitation film, "Plantation Annihilation." It became clear that the earlier moment of revelation was merely a tantalizing teaser Monk had concocted to share with Wiley. The director's lukewarm reception prompted Monk to propose an alternative denouement: Stagg departing the ceremony to reconcile with Coraline. However, Wiley remained unmoved by this revised conclusion, prompting Monk to conjure an even more bombastic finale – one in which Stagg strides confidently onto the stage, only to be met with a sudden police raid and a hail of gunfire that leaves him lying lifeless on the floor. Wiley's enthusiasm for this over-the-top climax was palpable as he gave it his seal of approval. With his creative juices spent, Monk departed the studio alongside Cliff, who chauffeured him home through the city streets, their silence punctuated only by the somber hum of the engine and the weight of Monk's disillusionment.