Alone in Berlin 2017

As World War II wreaks havoc in Berlin during 1940, the lives of Otto and Anna Quangel are irrevocably altered by the harrowing news of their only son’s death. This working-class couple transitions from profound grief to burning resentment towards Adolf Hitler and the Nazi regime, ignited by the tragic fate of an elderly Jewish woman residing in their building. Despite the absence of official persecution, ruthless Nazis and common criminals exploit the situation, brutally pillaging her apartment, which ultimately drives her to a heart-wrenching leap from a high window.

The anguish experienced by the Quangels transforms into defiance as they resolve to pen postcards urging others to resist Hitler’s tyranny. These secretive messages, with provocative phrases such as “Mother, Hitler Killed My Son. He Will Kill Your Son Too,” are discreetly left in public places, a serious crime in such a repressive environment. Initially, Otto wishes to bear the risks of this dangerous endeavor alone, warning Anna, “They hang women too.” However, her insistence on joining him deepens their bond as they navigate the risks and responsibilities together in their shared rebellion.

Meanwhile, Gestapo inspector Escherich is assigned the task of uncovering the identity of the elusive postcard author. As a professional detective more motivated by career ambition than ideology, he finds himself intrigued by the mysterious “Hobgoblin” as he persistently follows a trail of clues over three long years. Although his investigations yield little progress, he begins to respect this unknown adversary as a formidable opponent. Unfortunately, his failure to resolve the case leads to a brutal beating by an impatient SS senior officer and the tragic execution of an innocent man, both devastating blows to his professional integrity and moral compass.

As Otto’s carelessness compromises their efforts, a series of seemingly benign postcards inadvertently trigger his downfall. After accidentally dropping them at work, the authorities are alerted to his deception, resulting in his swift capture. With quiet resignation, he faces the inexorable consequences of his actions: a death sentence that looms ominously.

In a desperate effort to protect Anna from their dire circumstances, he tries to shoulder the blame entirely himself, but it proves too late. The couple is ultimately executed, leaving behind echoes of lost potential and unfulfilled dreams.

In the aftermath, Escherich finds himself isolated and desolate in his office, surrounded by the poignant remnants of the couple’s fervent correspondence. Collecting the hundreds of postcards that epitomize their love, he stands at his office window overlooking the police headquarters. With great sorrow, he scatters the cards into the wind, an act symbolizing his own mortality.

This gesture amplifies Escherich’s despair as he raises his gun and, with a final sense of closure, pulls the trigger. The film concludes hauntingly as the postcards swirl through the air and eventually land on the busy streets of Berlin. Unwitting passersby pick up the cards, oblivious to the tragic story interwoven with the emotions of love, loss, and despair, forever binding the Quangels together in death.