
After the family dog dies, Emma (Margaret Cho) confronts grief that sparks a midlife awakening. Her best friend Stan (Jesse Tyler Ferguson) and her spirited daughter Maggie (Alice Lee) feel the ripple effects as she seeks release and new purpose, navigating shifting relationships and emotional turbulence.
Does All That We Love have end credit scenes?
No!
All That We Love does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of All That We Love, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Margaret Cho
Emma

Alice Lee
Maggie

Kenneth Choi
Andy

Betsy Baker
Waitress

Marcus DeAnda
Bob

Jesse Tyler Ferguson
Stan

Eric Womack
Kissing Man

Devon Bostick
Nate

Missi Pyle
Kayla

Heather Kafka
Podcast Host

Atsuko Okatsuka
Raven

Dominique Columbus
George

Ashley Rae Spillers
Lynn

Tim Hooper
Kissing Man

Joe Souza
Julio

Nicholas Saenz
Phillip
Discover where to watch All That We Love online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
See how All That We Love is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where All That We Love stands among top-rated movies in its genre.
All That We Love presents a restrained yet affecting drama that centers on grief and personal acceptance. Critics note the film’s gentle tone, modest pacing, and moments of bittersweet honesty, while users highlight its emotional resonance and uplifting closure. The craftsmanship, particularly direction and understated visual style, supports the narrative without overwhelming it. In sum, the film delivers a quietly compelling experience that appeals to viewers seeking a thoughtful, low‑key exploration of loss.
The Movie Echo Score Breakdown for All That We Love
Art & Craft
Regarding art and craft, the film’s direction maintains a subdued, grounded tone that aligns with its intimate subject matter. Critics describe the visual approach as understated and free of excess, allowing the narrative to breathe. While specific cinematography or design elements receive limited commentary, the overall execution is viewed as competent and supportive of the story’s emotional aims.
Character & Emotion
When it comes to character and emotion, performances receive consistent commendation. Margaret Cho’s portrayal is noted as nuanced and credible, while supporting actors such as Kenneth Choi and Jesse Tyler Ferguson are praised for emotional resonance and comic timing. The ensemble is described as believable, contributing to a heartfelt depiction of grief, though a few critics hint at occasional restraint that limits deeper impact.
Story & Flow
The story’s core revolves around permission to grieve and the search for personal acceptance. Reviewers highlight the film’s gentle pacing and thematic honesty, noting that its modest plot avoids melodrama while still offering moments of catharsis. Some critics point to a restrained narrative that may feel less engaging for viewers desiring stronger stakes, but overall the storytelling is regarded as thoughtful and sincere.
Sensory Experience
In terms of sensory experience, the film adopts a low‑key soundscape and understated visual palette that complement its intimate tone. Critics make few explicit references to music or sound design, suggesting these elements are serviceable rather than standout. The subtle approach reinforces the narrative’s restraint, providing a calm backdrop without drawing attention away from the characters.
Rewatch Factor
Regarding rewatch factor, audience reactions emphasize the film’s uplifting closure and its capacity to leave viewers feeling good after a somber subject. The balance of humor and pathos, coupled with relatable performances, suggests moderate replay value for those seeking comfort. Nonetheless, the restrained narrative may limit repeat viewings for audiences preferring more dynamic storytelling.
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TOMATOMETER
0%
User Score
73
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User Score
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