
In the Mexican town of Bajo Rio, spectators who once paid to watch bullfights now finance a deadly showdown. Aging gunslingers Will Tenneray and Abe Cross, both desperate for cash, agree to stage a duel to the death inside a bullfighting arena, with the ticket revenue awarded to the victor.
Does A Gunfight have end credit scenes?
No!
A Gunfight does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for A Gunfight (1971) via JustWatch.
Explore the complete cast of A Gunfight, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Karen Black
Jenny Simms

Keith Carradine
The Young Gunfighter

Jane Alexander
Nora Tenneray

Kirk Douglas
Will Tenneray

Robert J. Wilke
Marshal Tom Cater

Johnny Cash
Abe Cross

Dana Elcar
Marv Green

Eric Douglas
Bud Tenneray

Paul Lambert
Ed Fleury

John Gill
Foreman

Philip L. Mead
Kyle Briggs

Neil Davis
Canbury

Dave Burleson
Poker Player

James D. Cavasos
Newt Hale

George Le Bow
Dekker

John J. Wallwork
Toby Leach

Douglas Doran
Teller

Dick O'Shea
2nd Poker Player

Timothy Tuinstra
Joey

R.C. Bishop
MacIntyre

Donna Dillenschneider
Saloon Hostess

Paula Dillenschneider
Saloon Hostess
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Read the complete plot summary of A Gunfight, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Will Tenneray and Abe Cross are two aging, famous gunfighters who find themselves in a difficult financial spot, each needing money more than glory. Cross rides into town with a reputation that precedes him, a man whose name alone stirs memories of past showdowns and high-stakes reputations. The town expects him to clash with the legendary Tenneray, yet Tenneray has learned to turn that legend into a practical hustle, working the saloon to sucker fools into buying drinks and savoring the attention that his long career still commands. In a surprising twist, the two men meet without rancor, and a genuine, if fragile, camaraderie begins to form between them rather than outright hostility.
Desperation and pride push Tenneray toward a drastic plan. He conceives a staged duel to the death set in a bullfight arena, with the ticket sales going to the survivor. The premise is blunt and brutal, a calculated gamble aimed at turning a lose-lose situation into a last-ditch windfall. To Nora Tenneray, his wife, he reveals the pivot of his scheme and, in a moment that underscores the gravity of his choice, he confesses a hard truth:
I could lose my best friend.
The town becomes a quiet stage for a duel that unfolds in a deliberately restrained manner. The actual gunfight is captured in a low-key, unromanticised style, and it is over in a heartbeat: Cross fires the first shot, and Tenneray falls. The outcome upends expectations about who should wear the victor’s badge—the archetypal “man in black” does not win this time, which gives the scene a stark, almost documentary feel that lingers in the memory rather than delivering a traditional Western payoff.
As the story nears its end, the film offers an extended fantasy sequence that raises questions about alternate possibilities. We glimpse what might have happened if Tenneray had emerged victorious, a vision that can feel ambiguous or disorienting for viewers. The sequence invites interpretation, leaving it unclear whether we are witnessing Cross’s imagined alternate reality, Tenneray’s widow’s longing for a different ending, or something in between. The result is a contemplative finale that sits alongside the bleak practicality of the preceding events, leaving a lasting impression of how fame, loyalty, and money intersect in a world where even the oldest legends are vulnerable to change.

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