
While documenting a female suicide bomber in Kabul, renowned war photojournalist Rebecca is injured. Upon her return home, she faces a difficult choice: continue her dangerous work or prioritize her family, who issue an ultimatum. Torn between her passion and her loved ones, Rebecca must navigate a crisis that threatens to shatter her life and career.
Does A Thousand Times Good Night have end credit scenes?
No!
A Thousand Times Good Night does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of A Thousand Times Good Night, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Juliette Binoche
Rebecca

Maria Doyle Kennedy
Theresa

Nikolaj Coster Waldau
Marcus

Des Nealon
Elderly man

Lauryn Canny
Stephanie

Cathy Belton
Mother 1

Peter Coonan
Father 2

Rory Nolan
Father 1

Denise McCormack
Mother 2

Eve Macklin
Brian's girlfriend

Mads Ousdal
Stig

Larry Mullen Jr.
Tom

Adrianna Cramer Curtis
Lisa

Bush Moukarzel
Brian

Chloë Annett
Jessica

Jonathan Byrne
Marine Biologist

Najat Azgar
Suicide bomber

Zoubida Akif
Ariana

Omar Elmouden
Driver

Jameela Shafaq
Translator

Catriona Nimhurchu
Teacher in Dublin

Peter Sexton
Stephanie’s Classmate

Anna Leah Thorseth Poppe
Stephanie’s Friend

Ciara Gallagher
Child 1

Ciara Phelan
Child 2

Youssef Marchouki
Young Moujahideen Man

Mohammed Soussi
Elderly Man

Ahmed El Aoud
Bombmaker
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Read the complete plot summary of A Thousand Times Good Night, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Rebecca is a photo journalist drawn to dangerous war zones, driven by a steadfast desire to illuminate the human cost of conflict. While documenting a group of female suicide bombers in Afghanistan, she accompanies one of them to Kabul, where a premature detonation leaves her with serious injuries and a long road to recovery.
Back home in Ireland, she is faced with a stark choice by her husband Marcus and their daughter Steph: continue chasing perilous assignments, or protect the family she loves. She makes a difficult decision to prioritize her family, even as the pull of the frontline remains strong.
Steph, curious about her mother’s photographs and drawn to humanitarian work, proposes a photography trip to a refugee camp in Kenya. Marcus agrees, hoping the journey will be safe and routine, while Rebecca weighs the balance between purpose and precaution.
But the trip takes a terrifying turn when the camp comes under attack by an armed group, and people are attacked in their tents. Rebecca stays behind to document the chaos and the violence, directing Steph to safety as she focuses on capturing the crisis from the inside.
Upon returning home, Rebecca and Steph try to shield Marcus from what happened, but he eventually learns the truth and reacts with anger, forbidding Rebecca from seeing the girls. The family fracture adds another layer of pressure to Rebecca’s vocation, underscoring the personal cost of her work.
Just before a planned departure for Kabul, Rebecca receives a voicemail from Steph reminding her about a school presentation on their Kenya trip, a message that subtly communicates Steph’s growing respect for her mother’s mission. That moment weighs on her, shaping her decision about where she should be and what she should be doing.
Rebecca ultimately chooses not to board the plane to Kabul immediately, instead going to the school presentation. That night, she holds her daughters close, and the next day she heads back overseas, returning to Kabul to document the preparation of another suicide bomber—this time a young girl. The experience hits her with renewed intensity, leaving her shaken as the scene fades to black, highlighting the enduring, unsettled impact of war on those who bear witness.

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