A Long and Happy Life 2013

In the town of N., a place that feels like a slice of Siberia’s youth, a quiet, reflective drama unfolds after a routine Saturday shift for a group of young construction workers. As they head home, their bus halts abruptly and a fresh passenger, Viktor, climbs aboard. He sits beside Lena and introduces himself in two shifting roles—at times a geologist separated from his group, at other moments a foreign spy. It becomes clear that Viktor is really an engineer returning to his hometown of Kuibyshev after a three‑month expedition, and a gentle connection grows between him and Lena as they trade memories of small, defining moments. Lena remembers learning to swim, while Viktor recalls his childhood spent on a high‑altitude station, a bond forged in shared recollection and a quiet shared curiosity about what a life might still become.

The bus arrives in N. and grinds to a stop near the local cultural club, where a Moscow Art Theatre troupe has come to perform The Cherry Orchard. Lena, who is coordinating the event, invites Viktor to attend the play. At first he is unable to respond—interrupted by Lena’s circle of acquaintances—but he ultimately joins the audience in the second act. During the intermission, the two reconnect, and their conversation takes on a Chekhovian resonance, probing deeper questions about meaning and possibility.

Lena confesses her fear of “living an empty life,” while Viktor speaks of the need to discover “something bright and true.”

As their bond deepens, Viktor, who describes himself as a “free man,” speaks of wanting to start a journey with Lena “in any direction.” Lena answers that she would go “anywhere” with him. Yet the morning following this intimate moment brings an unsettled turn: Lena arrives at Viktor’s floating base with her suitcase and her three‑year‑old daughter, and Viktor finds himself unprepared for such sudden change. Their breakfast at a sunlit outdoor café becomes tense, and Viktor leaves under the pretext of making a phone call, but he does not return. The town watches as Viktor departs by bus toward the airport, glancing back at a barge drifting down the river. The image lingers, a quiet counterpoint to the unresolved tension that threads its way through their encounter.