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Superman (2025) Explained: Ending, Clone Twist, and the Message from Krypton
Wondering what Superman (2025) means for the DC universe? We break down the film’s ending, the shocking Kryptonian message, and Ultraman’s true identity.
July 14, 2025
Spoiler warning: Everything below discusses Superman (2025) in detail, including its ending and post‑credit scenes. If you’d prefer a spoiler‑free primer first, visit the film’s page on What’s After the Movie.
James Gunn’s Superman shoulders the weight of introducing DC Studios’ “Gods & Monsters” era, and judging by its stellar $122 million domestic opening weekend (with a worldwide haul of $217 million), audiences are eager for take‑off. Instead of the brooding realism that capped the DCEU, Gunn paints Metropolis in Silver‑Age Technicolor, blending optimism with sharp satire. Giant kaiju attacks and reality‑tearing portals still loom, yet Clark’s unwavering Midwestern decency steers the film’s tone toward hope—and positions that mindset as the franchise’s new north star.
Mid‑film, Lex Luthor broadcasts a fortress recording in which Jor‑El and Lara appear to urge Kal‑El to “rule without mercy” and repopulate Earth with Kryptonian heirs. The clip rockets public trust into free fall, echoing today’s disinformation echo chambers. By the climax, Clark—helped by unedited footage—learns the communique was spliced: in context, his parents beg him to protect Earth’s diversity, not dominate it. The twist restores Clark’s footing and affirms that identity, in the DCU, is chosen character over alien genetics.
Luthor’s ace in the hole is Ultraman, a mute juggernaut cloned from a single strand of Superman’s hair. Originally disguised as “the Hammer of Boravia,” the clone embodies brute power minus compassion—a cautionary mirror for Clark. During the rift crisis, Ultraman is sucked into a swirling black hole, but his comic‑book counterpart’s habit of returning in twisted forms means we may not have seen the last of him.
Nicholas Hoult’s Lex orchestrates chaos on three fronts. He kindles a Boravia‑Jarhanpur war to frame Superman as a global meddler, builds a pocket‑universe prison for dissidents (and, briefly, Clark himself), and unleashes the Engineer and Ultraman to finish the job. Thanks to Lois Lane, Jimmy Olsen, and tip‑offs from Eve Teschmacher, the Daily Planet publishes hard evidence of Lex’s war profiteering. The fallout sees him cuffed and shipped to Belle Reve Penitentiary, but given his knack for leverage, incarceration may prove only a temporary setback.
Ultraman’s battle ruptures Lex’s pocket universe, literally bisecting Metropolis. Citizens evacuate with unsettling efficiency—after 300 years of metahuman havoc, calamity drills are muscle memory. Mr. Terrific ultimately re‑codes reality, snapping the city back together but leaving a jagged seam across downtown. That scar doubles as a monument to the day’s trauma and a physical reminder that even victories can be imperfect.
Yes—two. The mid‑credits shot recreates a cherished All‑Star Superman panel: Clark and Krypto sit on the moon, wordlessly admiring Earth. It’s pure serenity, underscoring Gunn’s belief that hope is cinema’s greatest special effect. The post‑credits sting is smaller but telling: Superman nitpicks a crooked skyscraper seam, prompting Mister Terrific to storm off. Clark’s self‑scolding—“Darn it, I can be such a jerk sometimes”—humanizes the Kryptonian and signals that the DCU’s connective tissue will be character, not constant sequel bait.
Milly Alcock’s Supergirl crash‑lands in the Fortress, cheerfully tipsy after partying on a red‑sun planet where Kryptonians can get drunk. She reclaims Krypto—her dog, as it turns out—and jets off, teasing 2026’s Supergirl movie while leaving Superman’s narrative tidy.
Gunn weaves three big ideas. First, nature versus nurture: Clark’s Kansas upbringing eclipses Krypton’s imperial mandate. Second, power and accountability: Luthor exploits social‑media echo chambers; Superman practices transparency, even when nitpicking building seams. Finally, collective heroism: when Green Lantern, Hawkgirl, and Metamorpho answer Clark’s SOS, the film argues inspiration outshines intimidation and that the Justice Gang’s inclusivity sets the new DCU’s moral compass.
Early CinemaScore polling lands at an A–, while critic aggregates hover in the low‑80‑percent range. Reviews laud Gunn’s blend of sincerity and wit, with several calling the film the most purely joyful Superman adventure since Richard Donner’s 1978 classic. Rotten Tomatoes highlighted the tone as a welcome break from a decade of grim‑dark capes.
Once the theater lights brighten, you can compare critic and fan scores on Rotten Tomatoes, Metacritic, and IMDb. Media Stinger catalogs Easter eggs, while Box Office Mojo tracks the film’s financial flight path. Need tickets for a second watch or a streaming alert? Head to Fandango and JustWatch. And of course, bookmark the What’s After the Movie blog for analysis, quizzes, and cameo trackers as the DCU continues to grow.
By re‑embracing bright colors, Boy‑Scout optimism, and laugh‑out‑loud earnestness, Gunn flips cynicism on its head—arguing that kindness, in a jaded age, is the most rebellious stance a hero can take. If this is the DCU’s new gravitational center, hope in a red cape might just be the punk‑rock anthem blockbuster cinema needs.
For more insights, trivia, and post‑credit sleuthing, keep your cape tuned to What’s After the Movie. We’ll be soaring beside every new chapter—one Easter egg at a time.
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