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The off-kilter experience that merges mythological unicorns, corporate greed, and unapologetic B-movie gore.
March 28, 2025
In a cinematic landscape overflowing with sequels, reboots, and formulaic action flicks, Death of a Unicorn (2025) had me intrigued right from the premise. At first glance, it sounds like another run-of-the-mill horror-comedy trying too hard to be edgy. Instead, I walked out of the theater feeling both amused and off-kilter—like I’d witnessed something that isn’t merely aiming to impress, but is actively reveling in the bizarre.
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One of the biggest surprises was how quickly the movie shifts from gore-soaked mayhem to near-slapstick comedic beats, all the while jabbing at corporate greed. The threads of satire don’t just appear in a single scene; they weave through the father-daughter dynamic, the questionable decisions made by a money-hungry conglomerate, and the unicorns themselves—these creatures serve as the ultimate cautionary symbol of humanity’s arrogance in trying to control what can’t (and shouldn’t) be contained.
Visual effects tend to be a point of contention, and this film’s computer-generated unicorns aren’t going to win any realism awards. Oddly, that’s part of the allure. The slightly “off” moments give the film a B-movie undercurrent that suits its over-the-top story. Admittedly, there are times the CGI isn’t just “cheesy” but borderline distracting. Yet for me, this unpolished approach makes sense in a film that doesn’t pretend to be a masterpiece. If anything, it amplifies the humor and ensures viewers never get too comfortable.
Between the exaggerated gore and comedic chaos, there are surprisingly tender exchanges between the story’s central family members—particularly the father and his teenage daughter. For all its wild, campy energy, the film carves out small moments of emotional resonance, proving that you can still spark genuine sentiment in a story about vengeful unicorns. It might not be Oscar-caliber drama, but it gives the movie a core of humanity amid the carnage.
If you appreciate dark humor that isn’t afraid to poke fun at its own premise, you’ll likely find the jokes witty enough to keep you engaged. The comedic aspect leans heavily on shock value: limbs flying, a sudden outlandish visual gag, or a cartoonish facial expression from someone caught off-guard by a unicorn’s lethal horn. There’s no shortage of silliness, yet the film still manages to produce real moments of tension. Some might argue the horror never goes far enough to be truly terrifying, but that might miss the point—this is horror-comedy that brazenly tips the scale more toward “fun” than “fear.”
Lurking beneath the spectacle is a clear message about exploitation—people in power seeking to profit off something they barely understand. Although the commentary isn’t subtle (the suits are unapologetically villainous), it’s effectively hammered home when the tables turn on them. It’s nothing new for the horror genre to use monstrous creatures as a metaphor for nature biting back, but here, it’s done with a wink and a nudge rather than any heavy-handed moralizing.
For me, Death of a Unicorn stands out because it commits to being over-the-top. The story doesn’t aim for universal appeal, so some viewers will inevitably walk away scratching their heads or condemning it for “ruining” the image of the noble unicorn. Others—those who prefer their horror spiked with sardonic humor—will likely find it refreshing, if not downright addictive.
That said, if you crave spotless visual effects, meticulously crafted drama, or a wholly coherent tone, you’ll probably find the jarring comedic-horror mashup frustrating. The film’s most memorable aspects—campy gore, an absurd concept, and an offbeat sense of humor—are precisely what some people despise.
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