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Read the complete plot summary and ending explained for Oomai Vizhigal (1986). From turning points to emotional moments, uncover what really happened and why it matters.
A group of college girls arrives at the Chola Picnic Village in a light blue matador, checking into a hotel that opens onto a scenic picnic spot. At night, they wander to the beach for a bonfire, singing and dancing under the stars. Among them, Vasanthi [Disco Shanti] ducks away from the crowd, discovers a pi-shaped bell stand, and rings it three times. In response, a menacing figure, P.R.K [Ravichandran], appears riding a carriage, drags her by the hair, and abducts her into the darkness, setting a chilling tone for what follows.
The scene shifts to Raja [Vagai Chandrasekar], who enters the picnic village, photographs the pi-shaped bell stand, and notices a beldam seated beneath it. He continues his wandering and encounters a priest, later presenting himself as the Assistant Editor for the Dhinamurasu Magazine. He raises a troubling question about a girl’s body found on the village beach four to five days earlier, a death the police have ruled as suicide. The priest refuses to answer, and Raja captures another image before moving on. Soon Lakshmana, the younger brother of P.R.K, appears, smoking a cigarette, and Raja quietly leaves the area.
Chandran, the editor of the magazine, teams up with Raja to develop the photographs. Chandran questions how Raja is obtaining such sensational access, and Raja explains that he has a source inside the suspect’s circle. The key person is Uma, a stenographer who is connected to the house of MLA Sattanathan [Malaysia Vasudevan], the principal suspect. Uma overhears a phone call at the MLA’s residence; P.R.K wants to speak with the MLA, and Uma answers, overhearing plans about the Picnic Village investigation and a promise to “take care of it.” The tension tightens as the stakes rise and the web of involvement expands.
The next morning, the newsroom is abuzz when an inspector calls to question why the newspaper is pursuing the story. Chandran stands his ground, insisting on reporting what they know. Vijay [Vijayakanth], a friend of Raja, joins the magazine, and the duo, along with the editor, decide to stay in Devi’s house for rent. Raja brings Uma’s blind father to live there, and Devi [Kokila] is present as well. Devi and Raja share a complicated relationship with Uma; Devi and Vijay are involved with each other, just as Raja is involved with Uma. The narrative threads weave through personal loyalties as the investigation intensifies.
On Uma’s birthday, tragedy strikes: she is killed by MLA Sattanathan in a horrific public act witnessed by Raja. The case is handed over to DSP Deenathayalan [Vijayakanth], signaling a formal turn in the pursuit of justice and justice-seeking eyes.
Meanwhile, a newly married couple, Ramesh [Karthik Muthuraman] and Shanthi [Rajani], honeymoon at the same village. Their happiness is shadowed by watchers in the shadows—the “beldam” presence in the background—until danger erupts. After the Maamarathu poo song ends, night unfolds and P.R.K arrives, rendering Karthik Muthuraman unconscious. Shanthi manages a perilous escape with the help of a passerby, whose car stalls on the road. He ferries her to a hospital, and Raja arrives at the scene. One of Sattanathan’s men follows, attempting to finish Shanthi off, but the intruder is thwarted at the last moment when Raja intervenes, only to be stabbed by the attacker. Raja counters, defeats the assailant, and carries Shanthi to DSP’s house, where he dies in the process, leaving Vijay and Peter—along with Ramesh—to piece together the motive.
As the narrative unfolds, Peter, Ramesh, and Vijay unite to uncover why P.R.K launches these attacks. P.R.K then traps everyone, revealing the core motive: he once loved someone whose eyes captivated him, but she betrayed him, driving him to seek eyes from the girls he encounters. The truth about the Bel dam becomes clear—she is his stepmother, feeding him information about the girls. With this revelation, DSP Deenathayalan acts to punish the culprits and restore a sense of order.
In the end, Ramesh and Shanthi find a way to reunite, offering a glimmer of resolution after a harrowing sequence of events. The story closes with a somber note on the consequences of obsession, the fragility of trust, and the costs paid by those who chase truth in the shadow of a dangerous conspiracy.
Follow the complete movie timeline of Oomai Vizhigal (1986) with every major event in chronological order. Great for understanding complex plots and story progression.
Arrival at Chola Picnic Village
A group of college girls arrive in a light blue matador at Chola Picnic Village and book a hotel room with a picnic spot. They spend the evening at the beach, light a bonfire, and sing and dance together. Vasanthi separates from the group, discovers the pi-shaped bell stand, rings it three times, and is abducted by P.R.K riding a carriage.
Raja enters the village and investigates
The next scene follows Raja as he enters the Chola Picnic Village to document the events. He photographs the pi-shaped bell stand and notices a beldam sitting beneath it. He then encounters a priest, introduces himself as Assistant Editor for the Dhinamurasu Magazine, and asks about the girl found near the village beach; the police call it a suicide, but the priest refuses to answer, and Raja files away another cryptic clue with his camera.
Lakshmana's awkward arrival
Lakshmana, the younger brother of P.R.K., shows up smoking and unsettles the scene. Raja extends his investigation but soon withdraws to pursue other leads. The village atmosphere thickens with danger as family ties intersect with the case.
Chandran and Raja chase a lead
Chandran and Raja develop the photos and realize they have a source inside the suspect's house in Uma, a stenographer. They identify MLA Sattanathan as the principal suspect. Uma overhears a phone conversation between P.R.K and the MLA about the Picnic Village inquiry, complicating MLA's position and widening the stakes.
Morning briefings and new housing
The next morning, an inspector questions why the newspaper is pursuing the investigation, and Chandran defends the angle of the story. Vijay joins the magazine to help with the case. Raja and Vijay stay at Devi's house for rent, and Raja later brings Uma's blind father to live there, while Devi remains nearby; Raja notes he needs two to three days for clarifications.
Two couples, two fates
Uma's birthday arrives and she is killed by MLA Sattanathan in front of Raja, shocking him and accelerating the case toward a formal investigation. The brutal act pushes the matter into the hands of DSP Deenathayalan. The personal tragedy connects the lovers—Raja with Uma and Vijay with Devi—in a web of betrayal and danger.
Newlyweds under threat
A newly married couple, Ramesh and Shanthi, honeymoon at Chola Picnic Village while being watched by the beldam. As the Maamarathu poo song ends and night falls, P.R.K storms into their hotel room and renders Karthik unconscious. The village darkens with imminent danger for the unsuspecting couple.
Shanthi's escape and hospital dash
Shanthi escapes with the help of a passerby whose car stops to assist her. The passerby drives her to a hospital, while P.R.K opens the village gate and moves to kill her. The passerby also informs Vijay that a girl found undressed near the village has been admitted to a hospital, broadening the search.
Raja's confrontation and the killer's pursuit
Raja arrives to help Shanthi, but a member of Sattanathan's gang hides in Shanthi's room to ambush her. Raja emerges in time but is stabbed by the thug; he fights back, kills the attacker, and carries Shanthi to the DSP's house before dying there. The scene cements the personal toll of the conspiracy.
Peter, Ramesh, and Vijay unite
Peter, Ramesh, and Vijay join forces to uncover why P.R.K acts this way and to connect the disparate threads of the case. They pool resources and pursue leads that reveal the depth of the scheme. Their collaboration marks a turning point in the pursuit of justice.
P.R.K's chilling revelation
P.R.K gathers the remaining players and reveals his fixation: he loves eyes and plans to take them from the girls he sees. He explains that his stepmother, the beldam, feeds him information about each victim, guiding his actions. The confession exposes a twisted, familial motive at the heart of the crimes.
Justice and a painful ending
DSP Deenathayalan deduces the truth and punishes the conspirators for their crimes. Ramesh and Shanthi reconcile as the ordeal concludes, and the village confronts the consequences of the respectability and corruption that fueled the killings. The survivors begin to heal as the case closes.
Explore all characters from Oomai Vizhigal (1986). Get detailed profiles with their roles, arcs, and key relationships explained.
Raja (Vagai Chandrasekar)
A curious and ambitious journalist for the Dhinamurasu Magazine. He pursues a sensational lead about a girl's death, using a source in the suspect's house. His pursuit of truth drives the investigation, even as it puts him and others in danger. He forms connections with Uma and Chandran and ultimately dies after helping uncover the conspiracy.
Selvi Uma
A stenographer whose blind father is cared for by Devi. Uma becomes a central contact for Raja in the MLA's circle, and her presence links the journalist to the political machinations. She is involved in the web of relationships and the high-stakes pursuit of truth.
MLA Sattanathan
A powerful and corrupt politician whose actions drive the conflict. His involvement with the murder investigation highlights political influence and cover-ups. The investigation challenges his authority and ties to organized intrigue.
P.R.K
A deranged kidnapper and killer who targets young women to steal their eyes. His motive is linked to a personal fixation on eyes and is reinforced by his stepmother, the beldam, who feeds him information. He embodies the film's key horror and mystery elements.
Shanti
A newly married woman who is a target of P.R.K. and becomes a survivor who seeks safety as the plot unfolds. Her fate underscores the danger the village holds for its visitors and residents alike.
Ramesh (Ramesh)
A friend of Raja and a participant in the pursuit of truth. He and Shanthi join forces with Vijay to confront the conspiracy and understand the deeper motives behind the killings.
Devi
Devi is connected to the core cast through housing and relationships. She provides shelter and acts as a link between characters and the investigation, embodying interpersonal ties that complicate the plot.
DSP Deenathayalan
The investigating officer who leads the pursuit of the truth and administers justice to the guilty. He represents authority and order in a story filled with corruption and danger.
Chandran
Editor of the Dhinamurasu Magazine who collaborates with Raja and pushes the investigation forward. He plays an ally role in seeking accountability for the murders.
Learn where and when Oomai Vizhigal (1986) takes place. Explore the film’s settings, era, and how they shape the narrative.
Location
Chola Picnic Village, Devi's House, DSP's Office, Hotel in Picnic Village
Chola Picnic Village is the central setting where the story unfolds, featuring a beach, a hotel, and a pi-shaped bell stand that triggers the thriller's events. The village blends everyday leisure with a hidden underworld of crime, politics, and manipulation. Key scenes move between the village’s hotel, Devi’s house, and the DSP’s office as the truth emerges. By night, the place becomes a stage for abductions, murders, and confrontations.
Discover the main themes in Oomai Vizhigal (1986). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Obsession
P.R.K's fixation on eyes drives the violence in the story. He believes beauty or identity can be extracted through eyes, leading him to target young women near the Picnic Village. This fixation is tied to his motive and actions, including the murders and the brutal handling of victims. The beldam, revealed as his stepmother, provides him information about the girls, amplifying the sense of personal vendetta.
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Media & Sensationalism
Raja works as an Assistant Editor for the Dhinamurasu Magazine and pursues sensational leads from Uma. The pursuit of a scoop pushes him toward risky investigations and causes tension with authorities. The chase for headlines intersects with real danger, showing how journalism can both reveal truth and chase spectacle. The narrative questions the ethics and costs of sensational reporting.
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Corruption
MLA Sattanathan represents political power and potential corruption, driving the conflict and the attempt to silence investigation. The case moves from the beach to political circles, revealing how influence can shield wrongdoing and complicate justice. DSP Deenathayalan embodies the authority tasked with uncovering the truth and delivering accountability. The story culminates in punishment of the guilty, underscoring the theme of justice.

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Discover the spoiler-free summary of Oomai Vizhigal (1986). Get a concise overview without any spoilers.
In the serene backdrop of the Chola Picnic Village, a place known more for its breezy beaches and festive bonfires than for danger, an unsettling current begins to swirl. P R K moves through this landscape like a shadow, his presence felt long before he is seen, hinting at a series of violent acts that disturb the village’s fragile peace. The atmosphere is thick with a mix of rustic charm and latent menace, setting the stage for a tense cat‑and‑mouse game that will test the limits of every resident’s trust.
Power in the village is shared between unlikely allies. The politician wields influence that can tilt the balance of justice, while the doctor operates with a clinical precision that blurs the line between healer and conspirator. Their tacit support creates a network that shields P R K from scrutiny, turning the idyllic setting into a maze of hidden motives. Against this tide, the journalist arrives with a notebook and a relentless curiosity, determined to peel back the veneer of complacency and expose the truth hidden beneath the smiles of tourists and locals alike.
On the other side of the law, the policeman embodies the stubborn resolve of a city officer who refuses to let the darkness go unchecked. His methodical approach clashes with the journalist’s instinctive probing, yet both men find common ground in their pursuit of answers. Their partnership, though fraught with tension, offers a glimpse of hope that the shadows may be illuminated.
As the village’s quiet rhythms continue, the intertwined lives of these five figures hint at a larger confrontation waiting just beyond the next sunrise. The story balances suspense with social intrigue, inviting the audience to wonder how far the web of influence reaches and whether truth can ever truly pierce the darkness that looms over Chola Picnic Village.
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