Bronson 2009

Bronson, portrayed by Tom Hardy, opens the film with a candid introduction, proclaiming his lifelong desire for fame. Lacking talent in singing or acting, he discovers his unique calling in an unexpected way—a shocking scene of him engaging in a fierce battle with several prison guards while stark naked in a cage. From there, the narrative dives into various pivotal moments from his tumultuous life, interspersed with Bronson performing on stage, adorned with theatrical make-up, while occasionally addressing the audience from behind bars.

The story begins with Michael Peterson as an infant, quickly transitioning to his turbulent childhood, where he often finds himself in altercations with classmates and even a teacher, who falls victim to his weapon of choice: a school desk. His first encounter with crime surfaces during his time working at a fish and chip shop, where he steals money from the register and sweetly gifts some of it to a colleague while planting a kiss on her cheek.

Fast-forward to 1974, a challenging era for young men in England, where Peterson’s rebellious spirit leads him to confront two police officers during an interrogation, showcasing his aggressive demeanor. He soon marries his love, Irene (played by Kelly Adams), and together they welcome a child. However, after robbing a post office and only managing to snatch a small amount of cash, he is sentenced to seven years in prison. Despite the glimmer of hope his mother (Amanda Burton) holds for an early release, his propensity for violence ensures he remains incarcerated longer than expected.

Inside the prison system, Peterson adopts a troubling attitude toward his surroundings, often likening his confines to a luxurious hotel. His nightly escapades include violent confrontations with guards, which earn him notoriety among fellow inmates, who see him as a celebrity. Deliberately provoking guards to instigate fights, he finds himself in a vicious cycle that guarantees his extended imprisonment. When he has the chance for parole, Peterson deliberately derails it by continuing to engage in violence.

The authorities attempt to contain him by transferring him between various facilities, but none manage to subdue his unruly nature. Eventually, he ends up in Rampton Secure Hospital, where heavy sedatives are administered in response to his combative behavior. During one such episode, he encounters a man named John White (Joe Tucker) who, despite initially appearing sympathetic, reveals himself to be a pedophile. Enraged yet incapacitated by the medication, Peterson manages only to spit at White in defiance.

Determined to assert his mental stability and return to prison, Peterson feigns calmness until the opportune moment arises, allowing him to attack White. He repeatedly emphasizes to the audience that throughout his lengthy incarceration—totaling 26 years and counting—he has never committed murder.

His struggle leads him to the high-security Broadmoor psychiatric hospital, where he incites a riot that makes headlines. Dramatic news footage reveals Peterson atop the institution’s roof, earning the title of “Her Majesty’s most expensive prisoner.” He boasts about inflicting substantial damage, claiming responsibility for millions in expenses, ultimately prompting the government to re-evaluate his sanity and discharge him.

Upon his release, he is received by his hopeful mother, who encourages him to reconnect with Uncle Jack (Hugh Ross) in Luton. While on parole and residing with his uncle, Peterson meets Paul Daniels (Matt King), a nightclub owner and former inmate. He immerses himself in the world of bare-knuckle boxing, adopting the moniker Charles “Charlie” Bronson, inspired by the iconic actor. However, seeking greater thrills, he escalates his challenges by taking on two opponents simultaneously and even facing off against a dog.

This newfound path is cut short when, swept up in love for a woman named Alison (Juliet Oldfield), he steals an engagement ring, proposes, and promptly finds himself back behind bars for robbery—his freedom lasting a mere 69 days.

While imprisoned again, his penchant for violence undulates, leading to ferocious altercations with prison staff, further lengthening his sentence. Peterson’s violent outbursts evolve, becoming more calculated and sophisticated. In one notable event, he takes the prison librarian hostage, oscillating between fits of rage and unnerving calmness, demanding music as he prepares for another confrontation with guards.

At times, his artistic inclinations surface, appreciated by a prison art teacher (James Lance), who recognizes the talent in his drawings. Peterson channels his inner turmoil into vivid representations of abstract creatures and birds. However, when the project spirals out of control, he pushes the boundaries once more, painting himself black, tying the teacher to a post, and transforming him into a living piece of surreal art—an act that guides him back toward solitary confinement.

As his journey continues, Charles Bronson remains without a clear release date, culminating in a harrowing scene where he is depicted as badly beaten and confined in what can only be described as a cage coffin within a dark, expansive room, a poignant reminder of his ongoing struggle against the system and himself.