BookWars 2000

As the desert highway sprawls ahead, the narrator—who is also the director—sets the stage for BookWars, a creative documentary that opts for an intimate and conversational style instead of conventional storytelling. With the camera trained on his face, he shares vivid anecdotes from his post-graduation escapades in New York City, driven by the urgent need to make rent. This determination leads him to sell his own books on the city streets.

Our journey takes us to West 4th Street in Greenwich Village, where we encounter a vibrant mix of street booksellers. Among them is Slick Rick Sherman, a semi-professional magician known for his dramatic flair; Al Mappo, the cartographer whose presence is hard to miss; Emil, a character shrouded in mystery and intrigue; and Pete Whitney, the self-entitled King of Booksellers, who also dabbles as a toad collector and collage artist. Each of these unique figures enriches our narrative tapestry.

Moving through their vibrant environments, BookWars juxtaposes these characters with a second cohort of street booksellers found on nearby 6th Avenue. This group, primarily composed of black and minority sellers, faces heightened scrutiny from law enforcement, often citing the ugly specter of racial profiling as the reason.

Notable among the 6th Avenue sellers are Marvin, who constantly dons his distinctive black hat, and Ron, a charismatic Jamaican whose quick wit and street savvy make him a formidable presence.

As we immerse ourselves in their world, BookWars takes us on a captivating chapter-by-chapter journey through the lives of street booksellers. We discover how they navigate their trade: from maximizing profits and managing challenging customers to sourcing fresh inventory and asserting their right to distribute literature in public spaces—all under the auspices of the First Amendment.

Through candid testimonies and honest reflections, we begin to appreciate this unique community where commerce intertwines with creativity and where the boundaries between art and trade blur. As the narrator’s tale unfolds, we find ourselves pulled into a realm that is both familiar and foreign—a place where books become vital tools for survival, avenues for self-expression, and bridges to connection, with the thrill of discovery juxtaposed against the urgency of a daily quest.

As the seasons change within BookWars, a cinematic odyssey emerges, interweaving themes of resilience and tenacity. Initially structured as a “year in the life,” the narrative covers several years, encapsulating the period from 1995 to 1999. As Winter blankets the city in a hush of snow, the booksellers adapt to the cold with varied strategies—Slick Rick swaps his books for a deck of cards and a magician’s hat, while Pete Whitney lovingly tends to his collection of cats. Meanwhile, the narrator embarks on a sun-drenched Western adventure in New Mexico.

Marv and Ron remain unwavering, braving the harsh winter conditions to sell their books along the lively 6th Avenue. The film captures these enterprising souls as they navigate the trash-strewn streets of Soho, seeking out hidden treasures including rare titles and prohibited literature. As Spring blooms, the booksellers reacquaint themselves with their usual spots, but a new reality unfolds: the street-level consequences of then-Mayor Rudolph Giuliani’s “Quality of Life” initiative.

The NYPD begins to enforce obscure sidewalk regulations that endanger the livelihoods of those who depend on public spaces. A new tax identification rule piles on bureaucratic hurdles, especially for marginalized or homeless vendors. To make matters worse, New York University drops substantial planters onto sidewalks, further isolating these unofficial entrepreneurs from their beloved readership. Tragically, on 6th Avenue, where black booksellers thrive, police begin to confiscate books, igniting collective outrage.

In response, the booksellers unite, forming an unlikely coalition to combat these intrusions into their ways of life. Some even endure long waits at police stations in hopes of retrieving their seized merchandise. Ron, particularly passionate, voices his frustration about the futility of the city’s efforts to suppress New Yorkers’ craving for literature.

As tensions mount and stakes rise, the street booksellers demonstrate remarkable resolve, standing firm against the Mayoral initiatives while making only minor concessions to their daily routines.

As BookWars builds towards its emotional climax, the narrator divulges a stirring realization: the unrelenting chaos enveloping the city has ignited a profound discontent within him. A compelling urge to step away from the drudgery of his street bookselling life begins to emerge, fueled by an overwhelming desire to reshape his professional journey. The catalyst? A fierce rainstorm that inundates the city—proving to be the final disruption needed to shake up his routine.

Emboldened by this newfound clarity, our protagonist starts selling off his remaining wares to fellow vendors. With freedom in the air, he sets off on an extraordinary cross-country adventure, inviting viewers to share in this thrilling journey. As we fasten our seatbelts for the ride, we find ourselves engrossed in the vast expanse of America’s landscapes filled with sights, sounds, and exhilarating experiences.