1984 1985

Set in the oppressive climate of April 1984, this dystopian narrative unfolds in a world that has seen the aftermath of a devastating Second World War and the devastating Atomic Wars. At the center of it all is Winston Smith, portrayed by John Hurt, a middle-aged man living in the totalitarian state of Oceania, where every action and thought is surveilled by the omnipresent Thought Police. The backdrop is the crumbling city of London, which is now the capital of Airstrip One (once known as Great Britain). As a lowly official in the Ministry of Propaganda, Winston leads a grim existence, tucked away in a filthy flat and confined to a cramped office cubicle just like countless others at the Ministry of Truth. Here, he undertakes the dreary task of altering historical records, ensuring that any individual who opposes the Party is effectively erased from history as if they never existed—referred to as “unpersons.”

Every day, under the unblinking gaze of the “telescreens” that monitor citizens, Winston drifts through his life. He attends public gatherings in Victory Square, where the Party disseminates propaganda films and false news updates about the ongoing war, portraying a façade of strength and unity under the rule of their enigmatic leader, Big Brother (Bob Flag). His neighbor, Parsons, played by Gregor Fisher, epitomizes the compliant citizen, content with submitting to the regime’s laws and expectations. However, Winston is not so easily placated; he grapples with the shadows of a troubled childhood and his own restless desires, prompting him to keep a secret diary—an act of rebellion that constitutes a thoughtcrime, a direct challenge to the Party’s ideology.

Then, a significant twist occurs when he encounters Julia—a bold, mysterious co-worker played by Suzanna Hamilton—who also works in the Ministry of Truth. The two embark on a clandestine affair, their first secret meeting occurring in the serene countryside away from constant watch. Together, they trade forbidden ideas and indulge in their growing passion in a hidden room above a pawn shop, only to discover that the innocent-looking place is under the watch of a member of the Thought Police. This brief interlude of joy comes to a cruel end when the Thought Police invade their sanctuary, revealing a hidden telescreen and arresting them both.

Winston is taken to the Ministry of Love—a cold, intimidating structure where he undergoes systematic torture at the hands of O’Brien, whose role as a high-ranking member of the Inner Party, portrayed by Richard Burton, was initially perceived as a potential ally. In a chilling turn of events, O’Brien instructs Winston about the principles of “doublethink,” a doctrinal mechanism that allows one to accept two contradictory beliefs simultaneously. Winston’s reality crumbles when he is presented to Room 101, which delivers the ultimate psychological torment catered to his individual fears—an encounter with a cage of ferocious rodents. In that moment of terror, even his loyalties to Julia are cast aside, and he succumbs completely to the Party’s will.

Once physically rehabilitated and released back into society, Winston returns to the Chestnut Tree Café, a place rife with broken souls like him who have been “vaporized” and transformed into unpersons. Here, he encounters Julia, also a victim of the Party’s reconditioning, and they exchange hollow words over a bottle of Victory Gin, each aware of their betrayal of one another. Following her departure, Winston is confronted by a television broadcast that features him confessing to crimes against the state, pleading for the populace’s forgiveness in a tone reminiscent of a repentant sinner.

Finally, as the news reports celebrate the Oceanian army’s victory in a recent conflict, Winston is filled with conflicting emotions and tears as he expresses unconditional love and gratitude towards Big Brother. Deprived of autonomy and reduced to a mere shadow of his former self, he resigns himself to the fate awaiting him—celebrating the indomitable power of the state with an eerie final declaration of love, fully devoted to the unyielding presence of Big Brother, whispering his acceptance to the watching telescreen.