Apollo 10½: A Space Age Childhood 2022

The film narrates the remarkable story of the first moon landing during the summer of 1969, captured through two distinct lenses: the experience of astronauts and the perspective from mission control, intertwined with the innocent viewpoint of an excited child observing it all from home, much like the millions of others glued to their screens. The film artfully juxtaposes a historical re-creation of this monumental event with a young boy’s vivid fantasy of being unexpectedly selected to train for a covert journey to the moon.

In 1969, at an elementary school in El Lago, Texas, young Stanley, played by Milo Coy, receives surprising news from NASA officials, Bostick and Kranz, portrayed by Glen Powell and Zachary Levi, respectively. The duo informs Stanley that he has been chosen for the moon mission because the lunar module’s size is unfortunately too constricted for an average adult astronaut. Despite being a fit and excelling student, Stanley is sworn to secrecy, unable to disclose his exciting news even to his family. They initiate a covert training program at the end of the school year, with Stanley disguising his absence by attending summer camp.

Going back a few years to 1962, when NASA was relocated to Houston, a significant milestone in architecture, the Astro Dome, was completed, marking it as the world’s first domed stadium with an AstroTurf and a grand animated display. Meanwhile, in a time rife with tension due to the Vietnam War, Stanley resides with his siblings: Vicky (played by Natalie L’Amoreaux), Steve (Josh Wiggins), Jana (Jessica Brynn Cohen), Greg (Sam Chipman), and Stephanie (Danielle Guilbot), alongside his parents, Mom (Lee Eddy) and Dad (Bill Wise). Living in a neighborhood with frequent flooding due to poor land drainage, the family experiences a modest lifestyle. Stanley often daydreams about his father being a more prominent figure at NASA rather than just a procurement manager.

The family’s dynamics are colored by their frugal upbringing, with every child contributing through chores and a tight budget. After Stanley was born, his mother began taking contraceptive pills, contrasting the Patek family next door who continued to have children. This led to Stanley feeling out of place, as he often faced teasing from his siblings about being adopted, compounded by a lack of presence in family photos or videos. Meanwhile, local culture is a mix of idealism and paranoia, as conspiracy theories swirl around his grandmother’s views on major historical events.

As the story moves forward, nostalgia intertwines with exploration as Stanley is thrust into practical training, where he learns vital survival skills and how to operate the Apollo 10 1/2 module, culminating in high-stakes simulations that mirror the very alarms Neil Armstrong faced during his lunar landing. The tension builds as the Apollo 11 mission ensues, launching Stanley into a voyage that he had only dreamed about, as he shares this pivotal moment with the world.

On the day of the historic moon landing, while Stanley’s family is off enjoying a day at Astroworld—Houston’s own version of Disneyland—the heroes of Apollo 11 confront their challenges just as Stanley had in training. Carrying the weight of the mission, the real astronauts manage the intense situation, paving the way for a triumphant lunar landing amid debates over the moon program’s costs versus societal needs.

Ultimately, the film captures a profound moment in time, honoring not just the triumph of Apollo 11 but the dreams and aspirations of a young boy who, long before Neil Armstrong took that giant leap for mankind, found himself encapsulated in a fantastical narrative that intertwined reality with bold dreams of reaching the stars. Over 400,000 individuals contributed to the Apollo program, creating a legacy that would forever alter human history, with 600 million viewers eagerly awaiting the first steps on the lunar surface.