
The film follows a world‑class prima ballerina whose jaded exterior softens when an unexpected delivery of her former lover’s diary stirs memories of her first love affair. Through frank, fresh storytelling, the intimate romance unfolds with charm and honesty, revealing how past passion still lingers beneath her disciplined artistry.
Does Summer Interlude have end credit scenes?
No!
Summer Interlude does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Summer Interlude, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Alf Kjellin
David Nyström

Mimi Pollak
Mrs Calwagen

Annalisa Ericson
Kaj

Carl-Axel Elfving

Torsten Lilliecrona
Ljus-Pelle

Renée Björling
Aunt Elisabeth

John Botvid
Karl

Gösta Ström

Ernst Brunman
The Captain

Birger Malmsten
Henrik

Stig Olin
Ballet instructor

Gerd Andersson

Fylgia Zadig

Julia Cæsar
Maja

Douglas Håge
Nisse

Maj-Britt Nilsson
Marie

Gunnar Olsson
Priest

Sten Mattsson

Georg Funkquist
Uncle Erland

Emmy Albiin

Carl Ström
Sandell

Marianne Schüler

Eskil Eckert-Lundin
Orchestrator at the theatre

Monique Roeger

Göte Stergel
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Challenge your knowledge of Summer Interlude with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is Marie's profession?
Actress
Prima ballerina
Singer
Writer
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Read the complete plot summary of Summer Interlude, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Marie Maj-Britt Nilsson is a celebrated yet emotionally distant prima ballerina in her late twenties. On a tense dress rehearsal for Swan Lake, she is unexpectedly handed the diary of her first love, Henrik Birger Malmsten, a college boy she met thirteen years earlier at the summer home of her Aunt Elisabeth Renée Björling and Uncle Erland Georg Funkquist. With the rehearsal delayed until evening, she travels by boat to the island where that carefree summer still lives in memory, revisiting the playful bond they shared.
Three days before the end of that summer thirteen years ago, Henrik is severely injured after diving from a cliff and dies. Her Uncle Erland, not actually a relative but a family friend and admirer of Marie’s mother, takes her away for the winter and helps her to put up a wall to dull the pain of losing her lover. He has kept Henrik’s diary since that hospital day when Henrik died. Marie comes to suspect that Erland manipulated events and that he may have taken advantage of her grief, and she expresses regret and disgust that she ever allowed him to touch her, implying they had an affair after Henrik’s death.
Following the evening dress rehearsal, the ballet master recognizes her single-minded devotion to dancing and understands her internal conflict. She then speaks with her current lover, a journalist named David, with whom she seems to be breaking up. Marie decides to let David read Henrik’s diary and to open up to him about her past—the torn emotions and conflicted feelings that have cooled her otherwise warm nature. After David leaves, she removes her makeup and, in the quiet, she glimpses a younger, more carefree self in the mirror, smiling again and playfully contorting her face.
At the premiere, during the ballet’s first performance, Marie meets David in the wings, now more understanding of her past. She shares a kiss with him and returns to the stage to finish the ballet, the note of the past finally aligning with the present as she completes the performance with renewed emotion.
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